#okay spoilery talk below

[guiiay]

the spear of longinus

[sizzleissues]

Its May.

Okay so this is in the same AU I had last year its just changed and evolved while also being the exact same. Except now I have 15,000 words of it written, like 7,000 words of planning and lore and hours upon hours of research that I will be pointedly ignoring. Will be posting more stuff this month about the AU and my hopes and dreams for it

Also slight art improvement check? I’ll put their original mermaid designs below the cut.

It’s Marinette as a mermaid and … its not Adrien or Chat Noir but a third worse thing (Catwalker but in the purest manifestation of it being a curse and not who he wants to be) I will be making designs for mer!Ladybug, and mer!Adrien as its own thing later on.

Okay if you want to indulge me look below the cut

Old mermaid designs first. I am going to be talking about my design thoughts, thoughts and ramblings about this AU and what I’ve been up to. You have been warned

As you can see, some things have changed but neither design I hated, I just wanted to go further with it.

My brain is quite specific about mermaids and how I want them to generally look. I wanted to distinguish biological merfolk from transformed humans by having them being anatomically different. So Adrien has a vertical tail instead which is also way faster underwater. His transformation is quite distressing for him and very chaotic. Of course when he accepts it he’s not so raggedy.

Marinette similarly avoids her life as a mermaid by becoming human and I wanted her mermaid design to hint toward her fascination with humans. She wears a top she fashioned from human fabric she found in a sunken merchant vessel. In general all other merfolk either forgo clothes or wear things fashioned from materials available to them. There’s deep fear of humans and human things so even though human clothes are available to them (off dead bodies but…. Whatever) they choose to difference themselves as much as possible. The same taboos don’t exist for them and their bodies are already adapted from the temperature of their environment. Adrien has stray bits of netting and seaweed on him because he’s not exactly the best at controlling his speed and often crash’s through fishing nets and patches of seaweed resulting in stuff being caught on him.

A lot of their designs are still being worked but I’ve definitely pushed them the right direction!

On to the AU. You might have seem me cryptically talk about something I’m writing the past few weeks. This is because it’s been in my brain since last May and been on and off writing it since then. I decided I’d talk about it once May came back around but and then when I finished writing it, start posting sneak peaks and more spoilery art until it was fully edited and I felt confident in it to post with an aim for it to finish posting once May rolled around again. Oh god.

It’s set in the late 1700s in a fictional version of France that’s actually fragmented over a bunch of islands. I have done more fashion research than I ever thought I’d do and in the end we will still be taking creative license but know I do know what they actually wore! I ALSO did a butt tonne of research about sailing ships and turns out they are super complicated and now I know too much and yet too little still about them. It should be super fun and action packed if I can manage. Have some really good scenes already in my head I know you’ll love. We’re already three ships battle deep and I’ve only written four chapters. (It chills out for a bit after that)

This is entirely self-indulgent by the way. I’m writing this for me, you guys are just a bonus. I literally don’t care as long as it satiates my rabid need for the fic that only lives in my brain at the moment. Saying that, I do want to put my best foot forward.

The next thing I will be posting for this is their human forms and more blabblerings about that. For I am insane and all.

[dwrogue]

Quotes from the novelisation

So the Target novelisation is out! Highly recommend it, an extremely good time that somehow gives us a ton of backstory on Rogue while also still leaving things very open for fic.

A selection of quotes I highlighted on my way through:

The Doctor being horrendously into Rogue

The Doctor was now walking in the gardens with Rogue beside him, his new favourite brooding stranger.

He looked back at Rogue, walking, brooding (of course), and had to remind himself that this was an interrogation, not a date.

Sure, the Doctor couldn’t deny, Rogue was incredibly handsome.

The Doctor was suddenly very conscious that their hands were almost touching.

Rogue grabbed the Doctor’s arm and moved him with ease to the middle of the small metal pieces. ‘Stand there.’ The bounty hunter’s strong, the Doctor thought. Confirmed.

The Doctor could already feel people starting to turn and whisper but his focus wasn’t on that. All he was thinking about was Rogue. Rogue’s hand on his shoulder, his chest. Rogue’s eyes locked with his as the pair of them turned and twirled across the floor.

More below the cut: some of these get very spoilery including for the very end of the book, so don't click if you don't want to know.

Rogue being horrendously into the Doctor

His gorgeous brown eyes beamed up at Rogue from the middle of the crowd. For the first time in a long time, Rogue felt that jolt of electricity when you meet that person. That next person who might be the one to change your life.

the main thing that impressed him was how stylish it all was. How well placed and how welcoming. Rogue had only known the Doctor for one night, but it was clear this ship was perfectly made for the person who travelled in it.

‘I know.’ Rogue smiled at the kind, brilliant, amazing man in front of him.

Rogue felt another jolt of that electricity as their arms almost touched.

He wondered how long he would have with this new and wonderful stranger, and then also why he was troubling himself with the thought at all.

He’d not been asking the Doctor for marriage, but for some simple commitment. A sign he should stay longer than this one adventure. To see those worlds he’d promised. At least for a little while. Now he couldn’t stop wondering how much of their connection was real and how much had been for show.

Socially anxious king

It was then that Rogue emotionally left his body and started panicking a good 50 feet above the scene playing out below.

‘So, have you known the Duchess long?’ It was here that Rogue hoped the Doctor was his bounty because his small talk game was not his best quality.

Usually, the imaginary conversations Rogue had with [Art] were when he was alone in the ship but in moments of crisis sometimes, he would imagine him, a life raft in a sea of social interaction nightmares.

‘Can’t I storm off alone?’ said Rogue. ‘I would rather not talk in front of this many people.’

I had to stop and compose myself for a minute

‘Don’t blame me! De Lacaille chose them! Great astronomer, bad with names.’ Then he smiled cheekily. ‘But if it’s romance you’re after? He also named those stars there the pump, the chisel and Norma.’ Okay, he was flirting now. Ruby would be furious with him if this silly side quest was what got him killed.

‘Not what I’m after,’ replied Rogue, his tone back to matter-of-fact but his face blushing a little.

["the pump"]

**

Rogue had met many dreamers and magicians in his travels. It was surprising how many had bounties on their heads; he immediately recalled quite a complicated winter with Houdini.

[...WHAT. Was this the winter after the Doctor's long hot summer?? What a year Houdini had.]

**

On the banks of the pond, the pair of them dragged themselves out. Rogue’s shirt was stuck to his body; the Doctor’s was the same. They were both drenched through. They looked at each other and laughed. ‘Okay, Ruby was right, this is a bit Mr Darcy.’

[I know the odds of this having been filmed are almost zero, nobody's letting Jonathan risk his voice jumping into a pond in Britain at night in May, but #releasetheherroncut]

**

[Rogue imagines a letter in which his dead love Art gives a potential new relationship his blessing] Please give him a hug from me and do not name a child or dog in my memory when you move in together. A cactus is fine, though. [Almost put this in 'Rogue is horrendously into him' but the 'WHEN you move in together' had me putting the book down for a second. Also that Rogue is contemplating what they should or should not name their future dog OR CHILD.]

Just pure romance

[on seeing the ship] Oh, Rogue, he thought. What happened, love?

**

Rogue just stared in awe, taking in the Doctor, all of them. ‘You’re beautiful,’ he said.

**

Rogue slowly opened his arms, and the Doctor fell into them and sobbed. ‘I’m sorry,’ Rogue said over and over.

**

Rogue looked into the Doctor’s eyes and knew that he would never stop caring. Could never stop wanting to help, to fight, to go on. That was who he was. The Doctor let go of Rogue’s hand and climbed in through the window, and Rogue did what he knew he would do for ever.

Follow him.

**

Then he stepped forward and wrapped the Doctor in his arms and kissed him. It was a soft, passionate kiss, full of promise. The moment was tender. Romantic. It was theirs.

**

As he fell, his mind had one, clear thought. Worth every second.

**

The Doctor just kept smiling, keeping his eyes on the sky. ‘At least we got to live and love together a bit. Exist.’

**

Of all the timelines they could both have inhabited, Rogue was grateful that their eyes had met on this one. What a great surprise that had been from the universe. Yes, right now, he was lonely, but time wasn’t linear, and this was his favourite thing about it. Rogue was sitting in this cave, but he was also walking with the Doctor in the garden, he was laughing with Art in the Yossarian, he was falling from a building, he was running from one memory of his life to another. All at once.

Rogue was in the Doctor’s arms, spinning around and around, for ever.

[max--phillips]

Okay here goes

First, the spoiler free stuff:

Ridley Scott knows how to make a fucking film.

If I don’t see fics of Acacius x reader x Lucilla I will begin biting

If you are going in it for Pedro, I will warn you his character is very important but kind of… idk, shallow is too strong of a word, but not very fleshed out. I don’t think that’s an issue in the greater scheme of the movie though, it makes sense in the plot and doesn’t feel out of place or bad in the universe.

If you are going in it for Paul Mescal, you will not be disappointed.

Please watch the first movie first. The story will not make any fucking sense if you don’t.

Just the right amount of flashbacks and footage from the first movie . Chefs kiss

Ridley Scott really said “all emperors and tyrants are nasty little freaks with terrible vibes”

Oh also if you’re squeamish about gore and stuff like. It’s a movie about gladiators so set your expectations accordingly. There is an instance of a disembodied head used as a prop. So y’know

Okay, spoilery stuff below the cut

Arishat was hot :( rip

Monkeys at the beginning? Terrible. 0/10 did not enjoy that. Also did not enjoy seeing and hearing Mr. Mescal BITING ONE

I love Ravi I would watch a whole movie just about him tending to gladiators’ wounds quite frankly. Give me that story

We love to see bisexuality on screen (even though that wasn’t a social identity at the time but we’re not here to talk about that) what with the concubines and drunk as fuck Macrinus

Speaking of drunk as fuck Macrinus: that whole scene was so fucking funny. They’re like that meme about people getting high. You know the one

Speaking of Macrinus—Denzel Washington stole the show. When TIME magazine pushed a story to me today headlined “Gladiator II Belongs to Denzel Washington,” I was like, pshhhh, nah. But it really does. It’s not about him? But it’s his fucking show.

The politics . THE POLITICS

It feels a little heavy handed right now but that wasn’t probably how it was intended, given it was made before. Y’know. The election. But the whole dream of Rome being a place where everyone is equal and cared for but you can only whisper it or it’ll shatter? Yeah.

Oh, right, Acacius: that dude is so tired he does NOT want to be there. Let him go home to his hot wife. Alas, his hot wife is the way she is and like… no good deed goes unpunished.

And I fucking called it with my text post a few months ago. Two (2) movies now where Denzel Washington (either directly or indirectly) kills Pedro Pascal. Brilliant

Admittedly selfishly I would’ve liked to see more of him. But it felt like the correct thing in the context of the story. If he didn’t die then, if he wasn’t the inciting event for the uprising of the people of Rome, it wouldn’t have made sense and it would’ve just been fan service and “look, we got Pedro Pascal!” at that point.

I would’ve liked to see a more in-depth exploration of the change in relationship between Lucius and Lucilla—it seems like they went from Lucius screaming at her to get out to them hugging it out without any real development between the two of them specifically. Obviously a lot had happened in the world of the movie at that point but nonetheless

Macrinus shooting Lucilla was his Icarus moment. There was no coming back from that. “But what about Geta” “but what about Caracalla” no. It was Lucilla. If she’d gotten got by the praetorian guards or something else, it would’ve been fine. But because it was Macrinus there was nowhere he could go from there other than [checks notes] getting his hand chopped off and then gutted in a dirty irrigation ditch.

Remember kids, the people in power who are causing all of the things going wrong in the world have names and addresses and are mortal <3

Also another takeaway from the movie: imperialism, religious extremism, ableism, and authoritarianism will be the end of us all <3

Anyway. Good movie. Can’t wait to watch it again in my own home with subtitles so I can actually like… process everything everyone was saying LMAO and take better reaction notes.

I’m still sitting in the theater parking lot it’s been like 30 minutes LMAO okay thanks for coming to my tedtalk or whatever

[guided-by-stars]

Do you like ISAT? ⭐️ Are you looking for more media to get into? Did you stumble across this post because you’re into one of the other projects mentioned here? (If yes, play In Stars in Time!!)

I’ll be dividing this up into sections based on the content in various Acts, so spoilers for each individual section below! I’ll be trying to avoid as much spoilers as possible for the other projects referenced here, for obvious reasons, but some concepts and thematic threads will be mentioned in order to give context.

This isn't a complete list, I'm sure I'll think of some perfect things to add here after I've posted it...Also sorrry most of these are video games.

Long post, so it'll be under a cut (But PLEASE PLEASE take a quick glance at the visuals/pictures I've provided and see if anything looks cool!)

If you’ve played up to Acts 1 & 2:

⋆ ˚｡⋆౨ৎ˚ Madoka Magica ⋆౨ৎ˚⋆ ˚｡

Okay, this one's a little obvious if you know a bit of anything about both of these. It's definitely the most well known piece of media on this list. Puella Magi Madoka Magica, also known as PMMM or Madoka Magica, is a magical girl show. Directed by Akiyuki Shinbo & Yukihiro Miyamoto and produced by Magica Quartet, it centers around magical girls who have to battle witches, and only gain their powers through contracts with an alien being. This also gives them one wish. ***MINOR spoilers for Act 4 of ISAT, skip if needed...Wishes, huh? Powerful and dangerous wishes, huh?***

The writing has a lot of depth to it, the bonds between the characters are interesting, and the narrative weight they have placed on their shoulders to save the world...well!

I have an important other reason why ISAT fans may really enjoy this series, but it would spoil a lot of the series... so first, some visuals, because this show is beautiful.

Okay, now spoilers for Episode 10. These are pretty big spoilers, so avoid if you care about that sort of thing. I don't personally think it ruins the series to know about beforehand, but you do lose some of the surprise. ***Spoilers for Ep. 10 of PMMM, skip if needed: Well! It's a timeloop show. Specifically a timeloop centering one person who's terrified of loosing the person they love and prone to obsession.***

You can watch it on Crunchyroll, or you could watch it illegally on a few different pirating sites, it's not exactly obscure. There's the series, but also multiple movies. There's also a new movie coming out in 2025! Exciting!

˚ʚ♡ɞ˚ 1BitHeart ˚ʚ♡ɞ˚

1bitheart, created by Miwashiba and produced by PLAYISM, is a ?visual novel? I suppose. There are other mechanics besides just talking to people (mystery solving, gifting, walking), but that's the best way I can describe it. In 1bitheart, you experience the world through Nanashi's eyes, a severely agoraphobic guy. I feel like if you like Siffrin, you'll probably find him interesting. Honestly, I don't have much more to say here...just that the vibes of this game feel like something many ISAT fans might enjoy.

If you like dialogue and character building, then maybe give it a look! There's one more spoilery reason why you might find it interesting, but it's a major spoiler for BOTH games...so. I'll leave that for you to discover.

Visuals:

You can buy 1bitheart here:

☆ The Endless Empty ☆

The Endless Empty, created by Erik Sheader-Smith, is another artistic RPG game with themes of suicidality, imagery of stars, and a fascinating battle system. It's very...scrapbook diary nightmare anatomical textbook, if that makes sense. It's short, inexpensive, obscure, and delightful, in my opinion. Guys. This is good.

Visuals:

Buy it here:

𓐟◇ OFF ◇𓐟

I see a lot of people around who are into both ISAT and OFF!, which I find supremely unsurprising. Both are created by French devs (OFF by Mortis Ghost), steeped in that background, unique RPG battle system (many enemies in this game are basically Sadnesses), limited palette (and often black & white) and [killed for spoilers].

I find the translation writing fascinating, personally. There's a lot you can dig out of here.

Visuals:

Get it here:

๑ï🌧Mr Rainer’s Solve-It Service🌧๑ï

Easily the most obscure game on this list, Mr Rainer's, created by Etherane, is an incredible game that's more of a visual novel than a text based adventure. The worldbuilding of the story is fascinating, and the characters are compelling. The story ends with SO MANY unanswered questions and mysteries, which is another reason why it fascinates me so.

Like ISAT, Mr Rainer's is a game pretty much entirely in black, white, and red, about an amnesiac hooded figure who doesn't remember their past and is INCREDIBLY fucking hungry constantly, a story with multiple endings, a story about identity and belonging and being the only one of your kind in a strange land, a story about grief and life and touch and connection and cycles of pain...

Please give it a chance, I have absolutely nobody to talk to about this game. It's only 5 hours and it's only (around) five dollars...

Visuals:

You can get it here!:

If you’ve played the whole game + 2Hats (DO NOT READ ON IF YOU HAVE NOT DONE 2HATS!!! I AM WARNING YOU!!!):

⚂ ⊹.🂱 Yugioh (Specifically the Toei series and Duel Monsters)⊹. 🂱 ⚂

Well! Here it is! The series about friendship, "other you's", "you see everything I do and you know how my body reacts to things", "you’re me but also not me but also another me but also you’re NOTHING like me", "facade sees facade in the eyes and Knows" and [spoilers for Yugioh redacted].

Guys if you don't gaf about card games, in the Toei series they are an extremely small aspect of the show and other games (like Tamagotchi) are similarly important!

It's got a fucked up by grief and trauma guy who does morally grey stuff and is fixated on his own past and really does just deep down Want to be Useful!! It's also got a codependent protector who really needs to be protected! It's got GAMES!!! SO MANY GAMES!!! and DRAMA!

Visuals:

(Toei)

(Duel Monsters)

Watch Toei series here: (WARNING!! THE EPISODES ARE NOT IN ORDER! BE CAREFUL!)

You can watch Duel Monsters many places, both legally and illegally.

⟳⏱︎ Start Again, duh! ⏱︎⟳

If you've only played ISAT but not Start Again (You know who the dev is...), you might think there's little of value there besides additional dialogue, but you'd be entirely wrong. Not only is this LOOP's story (and valuable to examine because of that), but the House is quite different, there's unique art, and there's different endings as well. PLAY START AGAIN START AGAIN START AGAIN: A PROLOGUE!!! YOU WILL NOT REGRET IT!

Visuals:

Get it here:

✧♥ Hello Charlotte series ♥✧

Hello Charlotte, also created by Etherane, is an incredible series, and one of the three most impactful game series I've ever encountered. The amount of unexpected developments that happen...I couldn't possibly understand where the game was going until everything clicked at once. Personally I think it's a masterpiece of storytelling.

Another artistic RPG maker game- so of course the art is beautiful. There's a battle system...in one of the games...yeah it's rudimentary. It's more of an exploration/puzzle game than anything. It's more of a STORY than anything. I would really really really hate to spoil this game, but what I will say, is there's a reason why I put it in the 2hats section. A very good reason. Pleaseee check it out it's so much content for so incredibly cheap. Criminally cheap. You will become incredibly attached to Charlotte.

Visuals:

Get the first game here (name your price!):

EP 2:

EP 3:

[caterpills]

(Six) (Seven) Several Sentence Sunday

Helloooo, happy Sunday! Many thanks to the lovely tags from @onthewaytosomewhere @duchessdepolignaca03 @taste-thewaste @thinkof-england @judasofsuburbia

annnnd @firenati0n @alasse9 (for taking the open tag and tagging me back, tag on tags!) I posted the latest chapter of This Is More of a Comment Than a Question on Friday!! (which ended up being another 11k chapter, which seems *checks notes* not right, I had intended for it to be shorter.) This means the words are wording still for the next chapter in Austin!

So I'm sharing a bit from the Chicago chapter (because there was so much I adored writing in that one, lovingly dubbed the Karaoke-Birthday!Henry chapter) And if you already read that, a few (sliiiiightly spoilery??) words from the Austin chapter below the cut! From Chapter 5: Chicago

Henry's expression at first is determined as if trying to make the translations in his head, giving away that he is familiar—if not a devoted admirer—of Neruda's work. Then his face eases, like he's remembering what Alex said: just listen. Alex watches him raise his hands to the headphones and press them closer against his ears like he can absorb the words through sound and sound alone. His mouth moves along to the sonnet, forming sin saber cómo, ni cuándo, ni de dónde, then the words in English: without knowing how, or when, or from where. His attention, which has been pointed toward the floor, finally lifts to search Alex's face. His eyes hold unconcealed reverence, his lips parting in awe. Alex knows that piece of himself was just given to Henry, and he's never getting it back. It's okay, it's okay. Henry will take care of it. Henry asks, hushed and confessional-quiet, "Can you play it again?" "Yeah, yeah, of course." His voice is raw, and he swallows the feeling back down. Alex presses play, Henry closes his eyes, and they listen.

Open tag as always! But tag me, so I can see what you are all working on! ❤️ Stay cool out there (those heatwaves have been BLEH) and have a great Sunday!!

From (upcoming) Chapter 6: Austin ⤵️

Fine, they aren't talking about it then. Alex can be responsible. He can treat this like two adults who were maybe too drunk, and maybe too vulnerable, and maybe allowing pent-up repressed feelings about being too close to one another every single day for a week to cloud their really shitty judgment. He can move on and never speak of it again. Alex lasts approximately five seconds before deciding that being responsible about this is bullshit.

[greenerteacups]

Hey GTC, I have always been such a fan of your Tumblr and your engagement with the fandom. However I must say that as of late, the questions you’re being asked most often are essentially variants of “Will X happen?” or “Will Y character do Z like in the book?” or even, “I’m noticing Theme A, will it continue in future chapters?”

A significant element of the fun that you’ve created for Lionheart readers is that we don’t know which elements and events of the JKR texts you’ll preserve untouched and which you’ll turn into the sixth and seventh year Lionheart storylines. I adore making my guesses to which parts of canon you’ll play with and which parts you’ll completely and utterly upend. Unfortunately, questions that ask about canon events in books 5-7 ruin so much of the fun.

Historically, you’ve used the Ask box to provide us with analyses of your own work and characterizations, but I feel as if recently you are often indulging questions about books 5, 6, and 7. I hate to say it, but I even feel that your answers veer into spoiler territory. I used to lurk your Tumblr incessantly, but since I’ve started to see this influx in predictive questions these past couple weeks, I’ve been avoiding the app.

It’s such a gift that we get to engage with your work on such a vibrant epistolary and interactive space as your Tumblr. I know that you can’t control what fans ask, but I humbly request that you please consider refusing to answer questions that ask you to ponder future events. Thank you for your tender care to everyone in the fandom. ❤️‍🔥🦁🧡

Hey, what's up, dude. I hear you. Sorry about that.

The problem is that the line between spoilers and not spoilers is totally subjective, and the line between "spoilers that are fine" and "spoilers that bother me" is also totally subjective. I don't know where you are on it, but we probably don't line up, and that's okay. I just don't know how I'd begin to sort out questions that one person considers "too much" from what someone else just thinks is fun analysis. My hard rules are as follows: I don't answer any questions about future ships, events, or arcs (and I get a lot). I haven't revealed anything that I would be unhappy to discover in a Tumblr askbox instead of a fic itself. True, I've dropped teaser/trailer stuff for 6 and 7, but to be honest, even looking over the stuff I've posted recently — I hate to say it, but I disagree with you. It isn't spoilers. Not to me, anyway.

But that's just me! There's no right or wrong answer here, it's just a coordination problem of how we can both cultivate social media experiences that make us happy. For instance: I like answering questions about my fic. It makes me happy to talk to people who want to know what happens. It encourages me and gets me excited to write about it, and I don't believe that any of the content on my Tumblr spoils what's going to happen. I don't really want to stop doing that, so I'm not going to. If that means you and other readers whose spoiler thresholds are below mine can't engage with my Tumblr, that's a natural consequence of us having different attitudes about media, and it was bound to happen. I'm sorry that that's the case, but it would bring me much more grief for you to injure your reading experience than it would for you to avoid my (largely irrelevant) e-journal full of random metatext. I love my fic, and I love my readers, you most certainly included; I do not, candidly speaking, love my Tumblr account. And for what it's worth, I absolutely do not think anything I've written on here is worth diminishing your experience of a story you enjoy. It wouldn't jive with my philosophy of literature and art.

So here's what I got: I'll continue tagging spoilers about past and current events as [#lionheart spoilers], and if a question makes reference to events not published, I'll use the tag [#prognosticating]. That way you can block the tag, and other readers can enjoy content that fits under their threshold of non-spoilerism. If our thresholds still don't line up, then I think the only solution may really be to block the [#lionheart spoilers] tag altogether. That's probably not the answer you're looking for, but it's the best I can do.

[merlinfromberlin]

Just came back from finally, finally, finally getting to watch Transformers: One with my roommate.

Overall, it was an absolute blast. :D I had so much fun and am seriously considering going to watch it again next week.

Loved Bee so much, honestly, maybe my favourite blorbo in the movie (which was to be expected).

I can also confirm that I'm still a disgusting Optimus-is-Bee's-dad-truther. Even if that means I have to headcanon him as sounding younger than he did in the movie.

Spoilery-thoughts below the cut for everyone who hasn't seen the movie yet.

However, I have a few not so savory feelings about the double standard regarding Autobots and Decepticons committing acts of violence in the movie. It kind of took me out of the story a few times.

Like, we see Orion (rightfully!) talking down D-16 from killing Starscream. And then, not even five minutes later, Orion rips apart one of Sentinel's soldiers. It's never adressed. It's never condemned. Like. What?

And it's not the only thing, the movie is kinda hypocritical about it:

D-16 trying to kill Starscream (bad)

Orion ripping apart one of Sentinel's soldiers (good, bad-ass)

Orion, D-16, B-127 & Elita-1 fighting back against Sentinel's soldiers (good)

B-127 accidentally - and then not so accidentally - killing Sentinel's soldiers (good, funny)

B-127 destroying the broadcasting office and scaring the reporters (kinda bad, but also funny)

Megatron ripping apart Sentinel (bad)

(That's probably not every scene with violence but it's the ones I remember best)

I don't say that I disagree with the movie regarding it's portrayal of Megatron's violence. Optimus was right to try and stop Megatron both times. I'm also not saying that Sentinel Prime's execution and Starscream's attempted execution are the same as Sentinel's soldiers being killed in battle/self-defence. I'm also not saying that the miners/High Guard/our little troop were wrong to fight back.

However, there is a definite bias in this movie when it comes to framing violence.

I mean, we see both Orion and Megatron tear a guy in half, but only one of those instances is condemned. The other one is glossed over/celebrated as a bad-ass battle move.

Furthermore, violence is only ever framed as something objectable if it's committed against named characters. I don't think that it's random that Autobots only ever fight Sentinel's unnamed, faceless soldiers. Similar to the Vehicons in TFP, they are implied to be clones simply by their identical designs - which, somehow, makes violence against them acceptable.

I'm really disappointed that this movie falls into the popular action movie tropes of "As long as it's the good guys committing violence it's okay and you don't have to worry about it." and "You should only feel empathy for Storm Troopers when we tell you to - aka when we give them a face."

Now, other, more minor things:

I squelad when I first saw Jazz! :D I was so happy for him to be there because I had no clue that he would be in the movie. He's become one of my favourite characters these past few months so I was really, really happy for him to be there. ^^

Cybertron was also absolutely beautiful. The movie, in general, was very very pretty.

I am also a big fan that, this time, most of the Autobots started out as cog-less miners and Iacon's underclass (not all of them - Chromia, for example, would be an exception).

Most of the Autobots being basically middle-caste while a lot of the Decepticons started out as miners and lower-caste bots is one of the few things that irks me about TFP.

Love that the main threat of this movie (trilogy?) are the Quintessons. I literally didn't even know that they existed until I watched Cyberverse in July and I got so excited about seeing them! So glad I managed to avoid having that part spoiled. ^^

Also, so sorry to the guy who spoke B-127, but I got jumpscared every time I heard his voice. Bee behaved so much younger than he sounded. Which probably makes sense considering that he was stuck with only three dolls for company for Primus knows how long.

Won't stop me from headcanoning stuff, though.

Edit: I thought about this some more since yesterday in the evening and I think that was mainly a mixture of headcanons and projection speaking. You can read him as young, you don't have to. Isolation is f'ed up.

[hadesknockedupintheunderworld]

I have some Shadow and Maria thoughts to ramble about in regards to the recent Shadow content. It's a bit long and spoilery, so I've included it under the cut.

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⚠️Spoilers below for Sonic x Shadow Generations (particularly Shadow Generations), Sonic x Shadow Generations Dark Beginnings, Gerald's Journal, and the Shadow the Hedgehog Manga!!⚠️

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Honestly, I have to say. You've gotta respect the dedication of Ian Flynn, Evan Stanley, Shadow and Maria's vas, other creators for Dark Beginnings/Shadow generations, and the people working on the Shadow manga

To never labeling Shadow and Maria's relationship as sibling‐like

Like, okay. Sure. English Sonic official posted an art piece of them with the "long lost sibling" in the alt text/caption.

They're never said to be siblings in any of the youtube descriptions for the official postings for the Dark Beginnings episodes, including the full compilation. (You can check the descriptions here, here, here, and here)

They're never said to be siblings at all during Dark Beginnings (you can check the full compilation of the episodes here).

In the first episode of Dark Beginnings, there are a few things we can see while Shadow is having a combo memory/vision. First, as Maria excitedly presents Shadow the aurora borealis, she begins to faint. Luckily, Shadow rushes to catch her, concerned, and tells her she should know better than to exert herself. Then, once he sets her back down on the floor, finding her to be okay, she starts talking about how excited she is to go back one day to Earth. In response, Shadow starts despairing over having failed to be her cure and how he doesn’t know if there's a place for him on Earth. Then, Maria hugs his head tightly, only to stroke his face before cupping his cheeks (yes she pointedly strokes his face. Fun fact, if you check the stream of the Dark Beginnings teaser presentation from Anime Expo (here at 29:36) you can hear the audience get quieter for a while after she strokes his face). She reassures Shadow, telling him that she's just as happy to spend time with him here on the ARK. (This scene with Maria during Dark Beginnings episode 1 can be found here at the timestamp range 0:33–2:03)

During the second episode of Dark Beginnings, Shadow stands in front of a glass containment tube, watching the black arms larva inside. Though he says nothing, Maria can tell that Shadow is upset. She places a hand on Shadow's shoulder and leans into his face (both putting herself on the same eye level as him, and quite literally eclipsing his view of the thing which represents his grief over who he is). She asks him if he's okay, and Shadow opens up, telling her how he feels no different than the evil heartless creature in the tube (the black arms larva). Maria throws her arms around him, hugging him tightly, before explaining that he has a big heart. She places a hand upon his chest (very lightly strokes it too), tells him that she knows he cares about everyone despite how hard it is for him to express it, and explains that it's one's actions that defines them (as opposed to blood or dna). (This scene with Maria during Dark Beginnings episode 2 can be found here at the timestamp range 5:30–6:44)

The previous episode sets the two up as having a bit of a close relationship, but this flashback from episode 2 emphasizes the closeness of their relationship further. It presents multiple additional examples of Maria seeking to comfort Shadow through physical touch. And not only that, but also her being able to sense when he needs comfort even if his face doesn't show it. These two episodes combined present us the kind of relationship where Shadow is often at Maria's side (he worries about her health, he rushes in to catch her when she begins to faint, she teaches him about Earth), and Maria likes to spend time with Shadow too (she loves to teach him about Earth, to fantasize about going there with him, to spend time with him on the ARK, to comfort Shadow and reassure him if he feels angry at himself or sad). If Shadow watches out for Maria physically/health wise, then Maria watches out for Shadow emotionally. There's no relationship label placed on top of these scenes to tell the audience what they should think about it. Rather, the scenes speak for themselves, laying bare how close the two are, how they care for each other (and I'd even argue that some of those moments of physical touch on Maria's part even convey a sense of longing. There's something very intimate feeling about these scenes).

Then, we get more tidbits with episode 3. During the episode, Commander Abraham Tower implies (from his perspective at least) that Maria had always been the only person who could talk Shadow down, an ability of hers that is explicitly shown in Shadow Generations (when Maria convinces Shadow not to fight Black Doom or the black arms out of anger or hate).

Commander: You could have talked him down, Rouge!

Rouge: There's only one person who could ever do that.

Commander: True...and she was lost to us a long time ago...

(This scene with the commander during Dark Beginnings Episode 3 can be found here at the timestamp range 11:19–12:05)

Shadow: He's right. No more mistakes. This time, I will crush every last one of them!

Maria: Shadow, no!

Shadow: Maria?

Maria: It breaks my heart to see you so full of anger. This isn't who you are. Do you know why I named you Shadow? Because without light there's only darkness, but a shadow will show you where to find the light. Do you understand? I don't want you to be driven by darkness. I want you to be happy. Stand in the light with peace in your heart.

...

Maria: Shadow...!

Shadow: It's alright, Maria. I'm letting go of that destructive anger. But I will continue to fight.

Shadow: Fight...with your wish in my heart. Your wish for everyone to have a chance to be happy.

(These scenes from Shadow Generations can be found here at the timestamp ranges 46:37–47:33 and 49:57–51:00)

Ironically, though Abe and Shadow are on better terms now, he is also never used as a vessel to outright state the nature of Maria's relationship with Shadow (though the commander does see Maria as a sister to himself per Shadow the Hedgehog 2005). And though Rouge (as well as Omega) is presented as the closest friend to Shadow at this point, she doesn't outright state the nature of the relationship either.

Finally, later in episode 3, Shadow experiences an amv fantasy in his head of he and Maria spending time together in Earth's flowers under the stars, and tries to banish the thoughts away. It hurts him so much because such a fantasy will never be fulfilled, because when Maria was alive she dreamed of them going to the planet together. (You can check timestamps 12:05–12:28 of this video for Shadow's vision/fantasy)

During the Dark Beginnings teaser showcase, when asked the nature of Shadow and Maria's relationship, this is how Shadow and Maria's voice actors described it:

Question: How would each of you describe the relationship between the two?

Kirk Thornton (Shadow): W-Well– To speak in– To speak in actor's terms, um, Maria is my—super objective—she is my reason for everything I do. Um, so...she's just everything. And so, I was created to protect her and when I...failed that mission it...devastates me– er, Shadow. I-I'm... Devastates Shadow.

Kirk: And, so that's why, you know he-he dedicates his life to uhhhh to protecting...Earth because of that, so she is– she just– Yeah. Everything to Shadow.

Kirk: Yeah. Complete driving force behind his life.

Stephanie Sheh (Maria): Okay, so, in my mind when I was thinking about it I was like "She grew up very isolated. She had, like, nobody." You know? And, um, other than Shadow, and the thing that I could relate to is that, like...during the pandemic when we were alone in our houses, I had my dog. And I'm not like– And check it– This is gonna sound weird I'm gonna say comparing Shadow to my dog. But, um, my dog is also black and reddish-tan, so, um...but, um, and– and my dog is super sweet, but he also gets a little too aggressive when he's trying to protect me. S-See? And so, like, anyways. Anyways. It-It's just the parallels. Anyways. But I do think that like, you know, and I- and like I'm the driving force. I ground him. You know, [s]he brings him back to, like, the less rabid stage.

Stephanie: You know, when he gets worked up. Um...but, yeah, that's how I kind of, like, uh– at– relate to that.

...

Stephanie: Yes, yes, totally. Like moral compass.

From that point forward, the host (Zeno Robinson) sort of went back and forth a bit with Stephanie, sort of playing off of her words to which she answers in turn. He describes Maria as Shadow's moral center, he goes on to explain how Shadow is this incredibly powerful being, him having the wrong moral center or with him being in the wrong hands can cause him to go out of control (and Stephanie going on to clarify that Maria helps rein Shadow in). Towards the end of this question, the host also goes onto say how he loves how in depth everyone's answers are and sort of half summarizes what Kirk and Stephanie said/half gives his own input:

"Maria gives Shadow purpose and direction and I'm sure they both were each other's only friend. Uh, their bond is integral to their characters as well as the story."

(At the end of the day, I know Zeno Robinson's opinion is no more important than any fan opinion, since he's neither a sega staff member, someone who worked on Dark Beginnings, or Takashi Iizuka/Shiro Maekawa. I just couldn't help but add his words here after Kirk and Stephanie's.)

(This q&a from the 2024 Anime Expo "A New Era of Shadow" panel can be found here at the timestamp range 26:16–29:18)

Both Kirk and Stephanie describe their relationship in vague terms (never once using the term "sibling"), but their views are clear. To Kirk (who also revealed in this very same q&a that he's only recently been given a more in depth understanding of Shadow as a character and his backstory at the timestamp range 16:39–21:30), Maria is everything to Shadow. She's a precious person, he was made to protect her, he lives for and builds his purpose around her. She is the reason for everything he does. To Stephanie, Shadow is like Maria's only companion, a loyal dog type character (who can get too aggressive sometimes when it comes to protecting Maria), while Maria is Shadow's moral compass and keeps him grounded.

Although we know Maria wasn't completely alone on the ark (there was still the other scientists and Abe after all), just from Dark Beginnings alone (much less Gerald's journal or Shadow Generations) it's clear how important her relationship with Shadow is. In Dark Beginnings, Maria is someone who grounds Shadow, and someone who influences his purpose. Shadow is someone who protects her and cares for her in turn. Shadow may not be her only choice for friendship, but he's clearly a dear one. But for Shadow (so far as we can gather as the audience) she really was his closest and only friend.

And in Gerald's journal, we even get to see Professor Gerald's perspective on their relationship.

(This is an image from the physical version of Gerald Robotnik's Journal included in launch day copies of Sonic x Shadow Generations. It can be found on page 14 of the physical book, and depicts entry #620)

"But then ⬛️⬛️⬛️⬛️⬛️ looked upon the unfinished specimen and put things into a new perspective. 'A shadow tells you which way to go to find the light.' In an instant she cut through all my pessimism and doubt and filled me with hope."

– Gerald's journal, Entry #620

Here, although Shadow had not yet been completed, Maria took to calling him a name (which we can only assume is "Shadow"). Before he was even finished, she’d treated him like a future living, thinking being, and her reason for naming Shadow this way was profound enough to inspire Gerald with hope in the project's completion.

Gerald's thoughts on Project Shadow evolve throughout what we can read of his journal. Originally, he starts the project because he can no longer ignore the president of the United Federations' request for the secret to immortality, naming it project Shadow out of spite. He finds the idea of immortality perverse and discovering it to be impossible. But this project eventually becomes his only hope for potentially curing Maria, almost like a lifeline. In desperate pursuit of Maria's cure through Project Shadow, Gerald's choices become harder and harder, challenging even his own morals. So although he may have attempted to bring the project to fruition no matter the cost, hope is still a powerful thing.

"⬛️⬛️⬛️⬛️⬛️⬛️ as she's come to call him, will not be some dark creature but a champion of life and hope. I would not have seen that if not for ⬛️⬛️⬛️⬛️⬛️ She is truly a remarkable person who can do great and wondrous things for the world."

– Gerald's journal, Entry #620

Without Maria's words, Gerald never would have been able to see real hope or worth in this project beyond potentially curing his granddaughter. Without this change in perspective (thanks to Maria), perhaps Shadow would never have become the kind of hybrid hedgehog he is today—more than just a weapon destined for destruction.

(Although I didn't include a picture here, on pages 17–18 of the physical copy of Gerald's journal (entry #651 to be exact), Gerald notes how Maria assisted him in crafting Shadow's limiter rings (allowing him to handle and focus his power) and rocket shoes (to improve his mobility). There's also a colored image of the rocket shoes and limiter rings, which Maria signed her name and a blue heart upon. It's not terribly important to this post, I just wanted to mention it since I found it to be a cute addition, and indicative of how invested she was in making sure Shadow would be able to, well...exist in a decent manner.)

(This is an image from the physical version of Gerald Robotnik's Journal included in launch day copies of Sonic x Shadow Generations. It can be found on page 20 of the physical book, and depicts a portion of entry #670)

"But all successes of the physical and mental prowess comes second to his relationship to ⬛️⬛️⬛️⬛️⬛️ I had hoped they'd get along, but it's far better than that. She is his guide to the world, and he is her stalwart companion. Never have I seen such instant, mutual friendship and trust between two beings. I am truly moved. They remind me why I've been working so hard. They bring me hope."

– Gerald's journal, Entry #670

And the way Gerald describes Shadow and Maria's relationship in his journal is highly interesting to me. He describes this pair as two people that clicked as friends instantly, came to trust each other instantly. He describes Maria as Shadow's guide/teacher and Shadow as her stalwart companion. The way he describes them implies a very strong bond and attachment to each other.

Where Gerald had only hoped they'd get along, his hopes were blown out of the water.

Compare this to the entry where Gerald talks about Maria's relationship with other people and the only other kid on the ARK.

(This is an image from the physical version of Gerald Robotnik's Journal included in launch day copies of Sonic x Shadow Generations. It can be found on page 8 of the physical book, and depicts a portion of entry #428)

"Despite everything, she remains the most positive person in the room. Most of the staff here left their families back on Earth, so I worried she'd feel lonely. Instead, she's become the adoptive daughter of every researcher on the ARK! Moreover, she's become like a big sister to little ⬛️⬛️⬛️⬛️⬛️⬛️⬛️, the ARK's "happy little accident" over the past few years.

– Gerald's Journal, Entry #428

He's very quick to say that Maria is like the adoptive daughter of every researcher on the ARK, and like a big sister to the (younger) Abraham Tower.

Yet, later once Shadow is complete, he insists on calling them friends. And beyond calling them friends, he describes the level of trust the two have, describes Maria as Shadow's guide to the world and Shadow as her loyal companion. He never labels their relationship from his point of view as siblings.

And Gerald Robotnik's own journal isn't the only recent piece of media to portray Shadow and Maria's friendship.

In the last couple months, two chapters of the recent Shadow Manga ("The Jet Black Hedgehog: Shadow the Hedgehog", by Imada Yuki, and published by Corocoro Comic) have been released. So far, it seems to be a (non-canon) adaptation of Shadow's backstory and Shadow Generations. It depicts Shadow the Hedgehog struggling over having failed to be a cure for Maria as well as the meaning of his existence.

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

When Shadow is despairing over the point to his existence, this version of Maria is presented as a bit more playful. In contrast to Maria in Dark Beginnings, who is often shown hugging Shadow during flashbacks/visions when he begins to feel negatively about himself, Maria from this manga attempts to draw him out of his thoughts/break the tension by playing a prank on him.

Shadow's words in the above screenshot are pretty telling too.

"You're the only one who'd play a prank on me."

– Shadow, "The Jet Black Hedgehog: Shadow the Hedgehog", Chapter 1 (translated by Azure Wind Productions)

Just from the start of the manga, one learns that this Shadow sees curing Maria as his initial reason for existence (a mission he'd failed). Perhaps, at first, he only contextualizes the time he spends with Maria something akin to a job, something necessary for him to do. From the beginning, after all, she is intrinsically tied to his reason for living. For Maria, though, with the casual way she acts around him (coupled with the statement that she's the only one who would treat Shadow this way), it's clear that she does treat Shadow as a close friend.

After playing her prank, Maria takes Shadow by the hand, pulling him into the room where the two can see the Earth below, and all the stars glittering above. This scene is presented very similar to Dark Beginnings, as Maria shows Shadow a natural phenomenon on Earth from their place on the ARK.

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

As in Dark Beginnings, Maria begins to faint, to which Shadow moves to catch her, concerned that she pushed herself like this. However, upon learning what it is that's bothering Shadow, Dark Beginnings!Maria and Manga!Maria handle it a bit differently.

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

It's Maria in the manga who reveals exactly what Shadow is going through, but she cups his cheeks and presses her forehead to his, making it clear that she wants him to be able to enjoy life and believe that even his existence has meaning.

"I want you to see...and someday feel...many things that are...beautiful, kind and strong. I want you to believe that there is a meaning to being born into this world."

– Maria, "The Jet Black Hedgehog: Shadow the Hedgehog", Chapter 1 (translated by Azure Wind Productions)

It's so very clear just how deeply manga!Maria cares for Shadow. She wants him to feel better about his own existence, to be able to experience all kinds of beautiful things in this world, to live his life further than his (failed) mission.

As for Shadow, after the screenshot above, he thinks to himself about how everything he does (dealing with Maria's antics, suppressing dangerous lab animals, etc) he does for the purpose of killing time. He doesn't do them for the sake of doing them, or even because he enjoys them. But...he does come to realize through a montage of memories of Maria smiling at him and calling his name that although he's currently killing time in this world, he's come to realize that dealing with Maria (out of all that he does on the ARK) perhaps isn't so bad.

After this, Maria pulls him along to the same room again (this time to watch the stars), when G.U.N.'s raid of the ARK suddenly begins. Shadow and Maria are separated briefly as Maria commands Shadow (who'd intended to ensure her safety first) to worry about protecting everyone else on the ARK.

Here begins an important parallel in this first chapter. At the beginning of the chapter, the audience is privy to both Shadow's relationship with the ARK's scientists and Maria. With the ARK scientists, they praise Shadow after he subdues one of their out of control lab animals, making note of his title of "Ultimate Lifeform". With Maria, we see her worry about his emotional state and express that she wants him to believe there's a meaning to his existence in this world, as well as explicitly hang out with him.

However, a shift occurs in both sets of relationships as the ARK raid occurs.

ARK Researcher: Please save me!

Shadow: I'll let you escape now, so stay put.

ARK Researcher: Help me! I'm a human just like you, aren't I?!

Shadow: ?!

ARK Researcher: Why should I be killed because of a mere lab animal?!

Shadow: Huh?

ARK Researcher: For us, this thing is worth nothing! I swear I'll never do research again!

This is an impactful moment to manga!Shadow, who seems to have learned what he truly means to the ARK's scientists. Or, in other words, Shadow learns that the ARK's scientists are so fickle as to change their tune about him (go from calling him "ultimate life form" to "lab animal") the moment their own lives are at stake. And this moment impacts him so heavily that he desperately turns to thoughts about Maria. Because, if no one else cares about him, sees him as a person, Maria would, right?

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

And so a similar scene transpires between Maria and the G.U.N. agents.

Maria: I know a lab animal? That's disgusting.

G.U.N. Agent: Don't lie to us! We know from our intel that you are often with that Shadow!

Maria: I said, I know nothing like that.

Shadow feels crushed instantly. After Maria's words, he starts to think that he really never should have been born. But then...Maria begins to talk about the one she loves.

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

Maria loves Shadow so much that she's able to look death in the eye, describe Shadow as the living, breathing, person she cares about, and proudly proclaim that she'd suffer any torture (even death) before she'd say a single terrible thing about him. As opposed to the ARK Researcher, who was willing to quickly consider Shadow as no more than an animal and hand him over for the sake of his life, Maria was ready to give hers, even just to make it clear that she'd never badmouth him (much less give him up).

No matter the nature of this bond manga!Maria shares with manga!Shadow, her actions and words speak for themselves. One cannot deny that she must care about him so so so deeply.

And in response to Maria's confession of love and devotion, as Shadow rushes in to protect her, he finally discovers the meaning of his birth.

(This screenshot is from Chapter 1 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

All this time.

All this time.

The meaning of his existence in this world was standing right in front of him.

Maria.

Chapter 1 alone solidifies their relationship as strong, intense. To Maria, Shadow is her friend, her companion, whom she loves dearly. To Shadow, Maria is his very reason for existing in this world (even though he failed to be her cure, he still wishes to live for her in particular), someone who he's only recently come to realize just how deeply he cares for.

And chapter 2 continues to present the intensity of Shadow's feelings, as chapter 1's ending and chapter 2's beginning each portray the moment where Maria is shot by a G.U.N. soldier.

(This screenshot is from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

I think saying "this pissed Shadow off" is more than a bit of an understatement. As it so goes with the trope of "person loses a loved one/their precious person or this person gets hurt right in front of them, causing them to go apeshit", Shadow begins fighting the G.U.N. soldiers, demanding answers for Maria's shooting. He even screams that he will kill them all (them being the soldiers and black arms).

And honestly, it's highly likely Shadow may have really tried to "kill them all" if Maria hadn't spoken up at that crucial moment, indicating that she's still alive.

(This screenshot is from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

When Shadow turns away from the soldiers and black arms to move towards Maria, he begins to come down from his adrenaline high. He visibly looks more tired and dazed, though he still tries to put whatever energy he has left into focusing on Maria's safety. Likewise, Maria (who is visibly running on her last vestiges of energy), tries to put everything she has into one thing: saving Shadow.

Computer: TEN SECONDS TO EMERGENCY LAUNCH OF ESCAPE POD!

Shadow: What are you...

Maria: Never...let yourself be consumed by anger or resentment. You could easily end up all alone.

Shadow: Open this up, Maria!

Maria: So just as you did for me, give everyone on that planet a chance to live happily. That way, even when I'm gone...

Shadow: OPEN IT, MARIA!

Shadow, who was only feeling the exhaustion that came with slight relief just moments ago, is high on adrenaline and emotions once more. He bangs on the glass of the escape pod, demanding Maria open it up.

And Maria, after delivering her speech where she tells Shadow just what he wants for him and his future on Earth, gives him her last words.

(This screenshot is from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

"Hey, Shadow. Thank you so much for being born. I love you."

– Maria, "The Jet Black Hedgehog: Shadow the Hedgehog", Chapter 2 (translated by Azure Wind Productions)

In Maria's last moments, she makes it as clear as she possibly can (to Shadow's face this time) that she wants the best for him, and that she loves him so, so much. And this confession of love to his face is what finally causes Shadow to stop banging on the glass. There's a moment of calm as Maria smiles, Shadow's eyes go wide, and the two's hand's meet at the pane of glass which separates them.

And then, it's over.

(This screenshot is from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

Just like earlier in the chapter when Maria was shot, we see how Shadow reacts upon losing Maria.

She was shot because she put her life on the line for him. He tried to save her, but she locked him in the escape pod, which he couldn't escape from. Then, in her final moments, she lays everything out on the table. She thanks him for being born, she says that she loves him, and, finally, she ejects him from the ARK.

He does not get to witness her final breath, he gets no further chances to save her.

And so Shadow begins to go apeshit once more after losing his very reason for existence right before his eyes, screaming and taking out his frustration, anger, and all manner of intense feeling in the confines of the pod he cannot escape from.

Somehow after this, the escape pod (with Shadow inside) and the whole ARK get pulled into white space. Once Shadow (now freed from the pod) processes what happened, he zeroes in on his goal, tearing through white space to get back to Maria on the ARK.

(This screenshot is from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

During the end of chapter 2, Shadow is fueled by anger, loss, stubbornness, and desperation. When the little black arms creature promises that he can bring Maria back to life, he attaches to it like a lifeline, vowing to save Maria this time.

(These screenshots are from Chapter 2 of "The Jet Black Hedgehog: Shadow the Hedgehog" by Imada Yuki, published by CoroCoro Comic, and translated by Azure Wind Productions)

In the end, the Shadow manga (so far) tells a story of a human girl and her closest friend. The girl wants so desperately to give her closest friend a good future, to make him believe that his life has meaning. Her friend, an alien hybrid and anthropomorphic hedgehog has failed at the very thing he was created to do, and does not see any meaning in his existence. However, after the human girl, whom he watches over and protects, shows him just how much she loves and cares for him, he finally realizes his own feelings, naming this very girl as the meaning of his entire existence. Tragically, he fails to save her in a critical moment. She confesses her love for him just before she saves him, and he loses her. Now, stuck in an unfamiliar place/zone, he's decided he will do anything to bring her back to life and to save her this time, to get to her.

This manga lays their entire relationship (a depiction of it at least) out on the table, showing you just how close they are to each other, how much they love each other, and all of their actions. Their hearts and feelings are both put on full display during this manga, allowing the reader to determine what it all means for them and the nature of their relationship without ever telling the reader what label to brand it with.

Not one time are they ever called "siblings" on top of any of those major character moments.

And while not quite as explicitly focused as the manga about it, Shadow Generations also presents Shadow and Maria's bond to the audience.

Beginning with "Shadow's story", the narrator describes the two thus:

"Shadow was raised alongside Gerald's ailing granddaughter, Maria. They were inseparable."

...

"Fifty years later, Shadow was awakened. Filled with anger and sadness, he was haunted by Maria's final words to him.

'Shadow, I beg of you... For all the people...on that planet...'

Shadow was bent on revenge and sought to destroy the world.

At the last moment, Shadow remembered Maria's final wish...to protect her beloved planet and all who lived there."

(This scene from Shadow Generations's "Shadow's Story" can be found here at the timestamp range 24:04–25:01)

Although "Shadow's story" itself functions better as a quick recap of events in past games rather than a true summary or explanation of those events, the narrator's words on Maria are important. As Sonic x Shadow Generations was also created with new fans in mind, hoping to prepare them for Sonic Movie 3 with basic knowledge of Shadow's character and backstory (as well as introduce them to the modern Sonic games themselves), this means that for many prospective Shadow fans (or those just becoming interested in Sonic as a series), Shadow Generations is likely to deliver them their first real impressions of characters such as Shadow, Maria Robotnik, Gerald Robotnik, etc.

This is all to say that Shadow having a strong bond and connection to Maria is integral to imparting even the most basic plot beats from his backstory. The usage of "inseparable" paired up with his memories of Maria's wishes heavily impacting his actions once again makes it clear that they have a very strong bond without the writer (Ian Flynn) jumping to label their relationship for the audience.

Though it's not necessarily integral to this post, I also would be remiss not to mention one of the opening cutscenes of Shadow Generations. Shadow Generations (which starts up about an hour after the ending of Dark Beginnings) also presents something of a flashback. During this scene (which cannot be a memory of Shadow's), we see Maria incredibly excited about the possibility of meeting the newly completed "ultimate life-form". She's so excited, in fact, that she dashes straight up to his pod at the start of the scene and excitedly asks Gerald if they can wake him up yet. (This scene from Shadow Generations can be found here at the timestamp range 25:40–26:27)

Maria's importance to Shadow is expanded upon just a bit further during a scene where Shadow begins to look out into white space. Upon spotting Maria in the distance, Shadow gasps loudly, saying her name as he begins to reach out for her. He reminds himself that she's not real, only to experience a flashback of Maria's last words to him.

"I need to stay focused. Deal with the problem at hand. Not chase...dreams."

– Shadow, Shadow Generations

(This scene from Shadow Generations can be found here at the timestamp range 29:16–26:27)

Coupled with the scene from Dark Beginnings Episode 3 I talked briefly about earlier (namely, Shadow experiencing visions of a fantasy of he and Maria spending time together on Earth), Shadow Generations presents a Shadow that is not only still attached to Maria, but actively considers the idea of being able to be happy with an alive Maria a "dream" (one that he must push down, lest he forget reality or become caught in nostalgia). While on one hand, Maria is intrinsically connected to his reason for protecting the Earth (or part of his purpose), on the other, the idea of her makes for an emotional distraction.

Which is also why, later in the game, Rouge attempts to remind Shadow that he's already moved on from his past. She encourages him to cherish his time with them, yes, but reminds him he's not the Shadow that Gerald and Maria knew fifty years ago. (This conversation from Shadow Generations can be found here at the timestamp range 29:51–30:18)

And this also leads the audience into one of Shadow's internal conflicts during the game. Despite trying to remind himself initially that the past is the past, that there's no use in chasing dreams (namely those impossible to fulfill), he changes his tune upon meeting Gerald and Maria in white space. Though Gerald warns him against altering the timeline like Black Doom already is (or punching holes into it like the Time Eater), Shadow is determined to figure out some way he can defeat Black Doom, AND save Gerald and Maria.

Shadow: They must be from a point in time before the ARK disaster. Perhaps I can change their fate.

...

Gerald: You're still not convinced about changing your destiny, mm? Think of it this way - if you changed our past, it would rewrite your future.

...

Shadow: I'll stop Rouge! Use chaos control! Stop this moment in time and...!

(These scenes from Shadow Generations can be found here at the timestamp ranges 36:51–37:16 and 55:36–56:22, as well as here at the timestamp range 25:21–25:50)

And on top of trying to save Maria and Gerald, in Shadow Generations, Shadow is yet depicted as focused on Maria's well-being as much as he can, in contrast to Maria, who is largely cognizant to how Shadow's feeling emotionally.

Maria: Shadow? You look grim. Are you all right?

Shadow: I'll be fine. We'll all be fine. Find somewhere safe to hide. I'll take care of everything.

(This scene from Shadow Generations can be found here at the timestamp range 37:00–37:16)

Maria: Shadow? Are you in pain?

(This scene from Shadow Generations can be found here at the timestamp range 38:41–38:49)

Shadow: He's right. No more mistakes. This time, I will crush every last one of them!

Maria: Shadow, no!

Shadow: Maria?

Maria: It breaks my heart to see you so full of anger. This isn't who you are. Do you know why I named you Shadow? Because without light there's only darkness, but a shadow will show you where to find the light. Do you understand? I don't want you to be driven by darkness. I want you to be happy. Stand in the light with peace in your heart.

(This scene from Shadow Generations can be found here at the timestamp range 46:43–47:33)

Maria: Shadow...!

Shadow: It's alright, Maria. I'm letting go of that destructive anger. But I will continue to fight.

(This scene from Shadow Generations can be found here at the timestamp range 49:45–50:12)

(This scene from Shadow Generations can be found here at the timestamp 50:12)

Maria: It's hard not to be scared of everything going on, but I've never been afraid. Not deep down. Because I know you're here, doing your best to protect us.

...

Maria: Don't look so sad, Shadow. I don't know what will happen after you win. Maybe we won't see each other for a long while. But I love you and nothing can change that.

(This scene from Shadow Generations can be found here at the timestamp range 28:50–29:49)

Omega: I will cover you from here when you engage Black Doom.

Omega: What? Protect prof. Gerald and Maria at all costs?

(This scene from Shadow Generations can be found here at the timestamp range 08:04–08:28)

(This scene from Shadow Generations can be found here at the timestamp 55:37)

As I had said much earlier in this post:

"If Shadow watches out for Maria physically/health wise, then Maria watches out for Shadow emotionally."

Beyond Dark Beginnings, we get to see this in play in Shadow Generations. We see Shadow take on the burden of protecting Maria and Gerald and getting rid of the black arms himself. We see Shadow worrying and rushing over to Maria when she falters. We see him stress the importance of keeping Maria and Gerald safe, even when he cannot be around to do it himself. And (not that Maria doesn't worry about Shadow physically as well, but...) we see Maria worrying when Shadow looks grim, or seems sad or angry. We see her express her wish for him to be happy, try to give him solace when he worries over her or her fate, and even express her own positive feelings in response to Shadow's care.

But this is not all Shadow Generations has to show the audience in regards to Shadow's bond with Maria. After all, you may be wondering, what do characters themselves have to say about it? What else does Shadow Generations show us through characters' words and actions?

I'd like to present to you more scenes from Shadow Generations that stand on their own, without the writer telling the audience what to think.

(This scene from Shadow Generations can be found here at the timestamp 36:27)

Maria: Yes, I know you're part alien. That's not important. What's important is who you are and what you do.

Maria: I was a little surprised you turned out looking like a hedgehog, though! I think the way your spines go "swoosh" is really cool!

Maria: Shadow...are you blushing!?

(This scene from Shadow Generations can be found here at the timestamp range 20:48–21:16)

Maria: It's been wonderful having you around on the ARK, Shadow. The staff is lovely, but I was very lonely before you joined us.

Maria: I miss my family. I miss my baby sister most of all. I do hope Grandfather finds a cure for me soon so we can all go home together!

(This scene from Shadow Generations can be found here at the timestamp range 21:47–22:13)

(This scene from Shadow Generations can be found here at the timestamp 45:16)

(This scene from Shadow Generations can be found here at the timestamp range 46:37–47:33)

Maria: Shadow... I don't want you to listen to Black Doom. You may share his DNA, but he is not your true family! Your real family loves you and wants you to be safe and happy.

Maria: That's us, Shadow. Me and Grandfather. Please remember that.

(This scene from Shadow Generations can be found here at the timestamp range 23:19–23:39)

Maria: So it seems like we've been apart longer than I thought. Have you made many friends?

(This scene from Shadow Generations can be found here at the timestamp range 25:51–26:04)

Maria: My condition...can't be treated yet.

...

Maria: It can be very scary and frustrating. But you've always been so patient and kind with me. Thank you, Shadow.

(This scene from Shadow Generations can be found here at the timestamp range 26:06–26:35)

(This scene from Shadow Generations can be found here at the timestamp range 49:45–50:50)

Maria: Shadow... I'm so proud of you! You've been through so much, but you've stayed true to yourself.

Maria: I know you can do this. Go, Shadow, go!

(This scene from Shadow Generations can be found here at the timestamp range 28:35–28:50)

Maria: Don't look so sad, Shadow. I don't know what will happen after you win. Maybe we won't see each other for a long while.

Maria: But I love you and nothing can change that. No matter how far apart we are, my love will always be with you. Please always remember that.

(This scene from Shadow Generations can be found here at the timestamp range 29:15–29:50)

(This scene from Shadow Generations can be found here at the timestamp range 55:25–57:26)

I had wanted to include the scene of Shadow running away, his final tear flying back and hitting Rouge's cheek as his feelings go unsaid. However, I've been taking screen recordings of the cutscene compilation I've been sourcing for this post on a mobile device. With that, sadly, video annotations would have obscured the end of the scene had I kept them in the recording, and I wanted to keep to as few different videos sourced on this post as I could.

In the end, Shadow Generations depicts a hedgehog who still has yet to discover what exactly he is going to live for (not just survive in this world). He tries to remind himself that he's completely moved on from his past, that visions/fantasies of being happy with this one person in particular are not something that life has granted to him (are just distractions). But this hedgehog becomes trapped between the past, the present, and what's to come next when this person he'd cared so deeply for is alive for a minute. He wants to protect this person, his natural instinct is to handle everything so they do not have to risk themselves. He worries so palpably for this person's well-being, often seen reaching out to them or rushing over to them when they falter or are in pain. Despite being stubborn, often sticking to his own plans no matter what, he values this person's words and opinions so dearly. Rather than use it to fuel his actions, he chooses to deal with this overwhelming anger and frustration simply because this person wants him to be happy and can't stand to see him in such a state. He also visibly blushes upon receiving compliments from this person (ironically, it's this blushing comment in particular I saw someone use on this site to spread misinfo that it was about Shadow blushing over Sonic rather than Shadow blushing over Maria). Even now, he is patient and kind with this person (something that one cannot say in regards to his attitude towards most of the Sonic cast). And although he never says "I love you", to this person, his actions speak louder than words. The protectiveness he has, the care, the patience, the willingness to listen and improve. And, above all, this is someone he is able to be more intimate with (if any of his scenes while in physical contact with this person are any indication).

Shadow Generations also depicts a human girl who has to come to terms with the fact that the hedgehog she's faced with has changed from the one she knows and cares for. Yet, she makes it just how clear that (time? space?), none of this matters to her. She loves this hedgehog no matter their dna/biology, no matter how many mistakes they make, no matter how much time has passed. In the past and present, she appreciates how patient and kind this hedgehog has always been to her. She spends plenty of time reminiscing about the past with them, harkening back to fonder memories. She is not shy about throwing her arms around this them, pointing out their blush, or taking their hands as she comforts and/or reasons with them. She's often visibly so so happy to see them, even after only being separated for a short time. This hedgehog's happiness is very important to her, so she's sensitive when they're angry or frustrated or sad. It makes her emotional to see them driven by anger and hate, so much so that she just cannot sit aside. She begs this person not to listen to someone who claims that bonds of blood and DNA determine one's future and loyalty, and has always believed that they can choose their own future—one of light and true happiness. She praises this person for their improvements, for staying true to themselves, for just how worried they are. And although her actions, care, and worry for this person do a great deal in showing it, she is able to tell this hedgehog how she feels outright. More than once she tells them just how much she loves them—so much so that her love will always be with them and shall never change no matter the distance between them.

These two are better together than apart. Where Maria fails physically, Shadow is there to worry about her health, physical well-being, and protection. Although Shadow is very physically capable and driven to protect, he tends to neglect his emotional state or keep his feelings/thoughts inside. So where Shadow has a harder time dealing with his emotions or has an easy time getting caught up in his anger, Maria is there to physically and emotionally comfort him. She is there to keep him from succumbing to anger and hate. The two each want more than anything for the other to be alive and happy. Although Shadow had only been created to be her cure, and although Maria was not alone on the ARK, it is implied that their instant relationship of mutual friendship and trust is a profound one. Where Maria had not been alone or unhappy on the ARK, it was Shadow who eradicated the loneliness that had been growing inside her. The two were inseparable back then, and it took a lot out of Shadow to let her go once again (again, only finding the strength to let go of such impulse because she asked him). The two love each other dearly, and this is made explicit.

And yet, with all of their actions, with their discussion of wants and feelings, and everything pertaining to each other in Shadow Generations, (as I've said multiple times now) Ian Flynn never tells the audience what label to brand this relationship with. As in the Shadow Manga, Maria clearly says she loves him, they both have their feelings on full display through their actions and words, yet it is more important for the audience to come to their own conclusions (especially in the lead up to Sonic Movie 3) than it is to 100% and strictly label the nature of their relationship. They just simply love each other and are important to each other

A fact which is...also ironic, given how easily and casually Maria discusses her relationship to Abraham Tower.

Maria: Have you seen Abe? You know, little Abraham Tower? I'm worried about him. He's the only other kid on the ARK with us. Sometimes he feels like my little brother, hee-hee!

(This scene from Shadow Generations can be found here at the timestamp range 21:16–21:47)

She confesses to seeing Abe as a younger brother sometimes (something Gerald, too, had pointed out in his own journal), and yet never once calls Shadow her sibling throughout Shadow Generations, even while reminiscing.

And while Maria does, perhaps, call Shadow a part of her family (a family of her, Shadow, and Gerald), I don't know what to tell you if you believe such a thing can only refer to/be interpreted in the most strictly nuclear family way possible. Well, other than that to do so is limiting and reductive. I have never more clearly seen a case of found family than I have with these three, especially given their unorthodox relationship (a guy, his beloved granddaughter, and the guy's son/creation, who is a stalwart companion and forever friend to his granddaughter).

Shadow and Maria are inseparable, they are friends, they are family, they love each other, but despite their relationship being highly featured in this game, the fact that Sega and the writer himself do not use this chance to strictly clarify the nature of their relationship is telling.

And you might be saying: "Tumblr user hadesknockedupintheunderworld, what about that alt text from that image of Shadow and Maria that's on the English Sonic social media?"

To which I say: "What of it?"

In the face of so many recent depictions of their relationship as highly ambiguous, with there being clear romance parallels to draw from if one wanted to, what does one single piece of evidence mean against that?

One can't look at that dedication all creators around these two have to make their relationship ambiguous (while also presenting them as having a very very strong bond) and simply say that they're clearly only ever meant to be read as sibling-like. And to say that they are 100% only meant to be siblings "or you're wrong" is to go against (at least one of) the creator of these characters own stated intentions to allow people to draw conclusions and interpret as they wish. Period.

I think I've made it pretty clear that means you can interpret their relationship however you want. It doesn't even have to be either siblings or lovers! Personally, I take a qqp approach myself (where the exact nature of their relationship is confusing, and all that is clear and solidified is that the two have an intensely strong bond, want as much time together as they can, and wish to make the other happy).

But it's wrong to act like one of many possible interpretations is 100% obviously canon when the facts themselves contradict that kind of thing (just as it's wrong to harass people over something so trivial as that).

Thank you for coming to my TED Talk.

[welcome-to-green-hills]

I'm having a hard time waiting for sonic 3 so do you know anything cool coming out for it soon that isn't too spoilery (I'm sorry I'm impatient 😔)

Hey, it’s okay. I promise. If anything, I greatly admire how patience you’ve been so far. I’ll give you a breadcrumb down below the “read more” tab❤️✨

Tom and Rachel interaction while wearing G.U.N. uniforms… I wonder what those two are talking about?

[captain-ozone]

MY VERY SPOILERY THOUGHTS ON THE LITTLE MERMAID

I’m going absolutely feral after seeing The Little Mermaid. My inner child has been FED, and I HAVE NO ONE TO TALK TO ABOUT IT YET so here I am to spew my thoughts. Spoilers below:

1. Halle was perfect. I will accept no criticism on this point. The only thing I cared about when this live-action movie was announced was that our new Ariel would have a voice to match Jodi Benson’s, and Halle did more than deliver. She epitomized the spirit of Ariel in every way. She was playful, she was inquisitive, she was joyful and bright and fun, she was so good at tugging the heartstrings (even without dialogue!!!) and appealing to our innate wanderlust and desire to discover and experience,  and she was so so EARNEST in her portrayal I can’t even. 

2. THE DEPTH THEY ADDED TO PRINCE ERIC’S CHARACTER OKAY!?!?! LIKE?!?!?! Okay, I will NOT GET OVER THIS. It was SO CLEVER of them to mirror Ariel’s journey with his desire to break free of his position’s restrictions. It worked incredibly well and did not once detract from our heroine’s spotlight. Rather, it ENHANCED their connection and sold me on their three-day love story in a deeper and more meaningful way than the original did (more on that below). ALSO ALSO ALSO SO COOL of them not to kill off his ADOPTIVE mother. ADOPTIVE. Marvelous choice! Truly. His mother’s fear of the sea gods offered a parallel to Triton’s fear of the surface world, and *CHEFS KISS*

3. Melissa McCarthy’s Pour Unfortunate Souls was a FUN TIME. 

4. Awkwafina as Scuttle? Inspired. 

5. MAX WAS ADORABLE AND THE STAR OF THE SHOW EVERY TIME HE WAS ON SCREEN. BEST BOY.

6. Wherever they filmed? The castle? Fucking gorgeous.

7. JODI BENSON CAMEOOOOOOO 

8. Grimsby is the GOAT. Enough said.

9. NEW SONGS

I may get some hate for this, but I’m not the biggest fan of Lin-Manuel Miranda.  Idk how to put this. He has an insane amount of talent, but for...untraditional musicals. I wouldn’t say he’d be my first choice to write new songs that fit the more traditional Broadway-like musical vibes that characterized so much of the Disney Renaissance. 

That being said, The Scuttlebutt was the strongest of the bunch, I think. It was very much a Miranda song, and in most instances, I’d be a little irritated by how they included a song that has a style so different from the rest of the lyrical music we know and love from the original animated movie. But it worked here, likely because it was delivered by Awkwafina’s Scuttle and FIT the character.

Honorable mention to Wild Uncharted Waters, only because WOW Jonah Hauer-King went OFF on that performance. This boy said “I get one musical number and I’m going to KILL IT” and he did.

Also very much liked the Part of Your World (Reprise II)! It tied everything together really nicely.

10. THE OTHER NOTABLE CHANGES I NEED TO SCREAM ABOUT

I LOVE THAT ARIEL HESITATED BEFORE CHOOSING TO GO THROUGH WITH THE SPELL.

I LOVE THAT ARIEL WAS FORCED TO FORGET SHE NEEDED A KISS FROM ERIC. --> THIS. THIS IS FREAKING AMAZING. I can’t even express how much more I felt for Ariel and Eric’s love story. How much more real it felt. How much more believable and true. I don’t buy in to one-day (or few-day) love stories very easily, especially when physical intimacy/attraction is a driving force. My little aroace ass dug the fact that kissing Eric literally was the last thing on Ariel’s mind. She got to be herself, explore this new world, AND do it with someone who appreciated her curiosity and found joy in how much joy she was experiencing, who could have just as much fun as she could. God. Goals. 

I LOVE THAT ERIC KNEW SOMETHING WASN’T RIGHT WITH VANESSA, EVEN IF HE COULDN’T PUT HIS FINGER ON IT. Very reminiscent of Prince of Song and Sea by Linsey Miller (a YA AU retelling told from Prince Eric’s POV. It’s a fun, easy read, if you’re curious).

I LOVE THAT ARIEL ACTIVELY TACKLED VANESSA AND BROKE THE SHELL NECKLACE HERSELF.

I LOVE THAT ARIEL WAS THE ONE TO STAB URSULA. I LOVE THAT SO MUCH. WE LOVE A BADASS HEROINE WHO DON’T NEED NO MAN TO SAVE HER.

All of these changes were important and mean a lot to me. I think it challenges a lot of the issues people have with the original animated movie, in that, here in the 2023 version, no one can argue that Ariel made her choices because she was lusting after a man. Or that she’s a damsel in distress. Very good stuff there.

11. My critiques

Some of the cinematography was weird. The transition between acting scenes and singing scenes didn’t always flow right. They felt abrupt and awkward. I definitely worried a bit about the CGI too, and it wasn’t too terrible imo. 

And my biggest complaint: idk what it was about the ending, but it didn’t *quite* hit right. In the original animated movie, one of the last bits of dialogue comes from Triton, when he says, “...how much I’m going to miss her.” The finale of the animated movie is then a spectacle of swelling music and a heartfelt case of “show” rather than “tell.” The hug between Ariel and Triton on the wedding barge is perfect. The way in which the mer-people come to witness the wedding and send off Eric and Ariel is perfect. 

The live-action ending felt...a little too somber. It became too much about Triton letting go and not enough about Ariel and Eric setting off on adventure together or about their worlds colliding in peace. I wouldn’t say that the last conversation between Triton and Ariel in the 2023 movie cheapens the line “...how much I’m going to miss her” and the bittersweetness with which he gifts her back her human legs, but it came close. I would have MUCH rather had a little more from Eric and Ariel than from Triton. LIKE HELLO??? WHAT HAPPENED TO THAT RING GRIMSBY KICKED AWAY!??? THERE WAS SOMETHING THEY COULD HAVE USED RIGHT THERE. Or better yet: if they wanted to do something super touching, they could have had Eric’s mother and Triton do a short aside by themselves, or perhaps even have a sort of moment where they acknowledge each other with respect/compassion/understanding before we all refocused on Ariel and Eric for the grand finale. But nah, they did what they did, and I’ll be a bit salty about it forever.

But anyway. Overall, I was very pleased. My disappointment with the lack of emotional impact from the ending does not supersede my enjoyment of everything else.

If you made it this far, please share your thoughts! I’m eager to talk to people, because all my friends aren’t like me and didn’t go see it opening night, lol.

[butterflydm]

wheel of time s2 trailer

First: Aaah!

Okay, spoilers below -- casting spoilers and what we know about S2 and spoilers through The Dragon Reborn in the books.

First impression is that everything looks amazing and I am so excited! But before I watch anyone else's reactions, I want to break my thoughts down for myself on what all the moments that we saw might mean:

okay, first: I love this song (Control) and this edit of it is very haunting and good. Nice choice, really works.

We open with Moiraine in Foregate (looking for Rand, I assume). In her severe and fancy Cairhiein duds. "Everyone has a choice."

So it looks like Moiraine and Rand are going to make a stop at Tar Valon/the White Tower? Because there's this shot here of a blue dress in the White Tower. We see later in the trailer that Rand is in his fancy clothes when he's here, so it would be later in the season -- would it be after the girls have already left/been tricked to leave or are we going to get a Rand-Egwene-Nynaeve reunion (Randlayne meeting? Cauthor reunion?).

Moiraine being Sad in the bath -- heartbreaking but we already saw part of this in the teaser, so I'll move on. "And every choice has a consequence."

Rand in a desert-y area in his Fancy Clothes, so this is maybe their approach to Falme?

"We didn't defeat the Dark One; we set him free." Heartbreaking! I mean, I already knew that, but poor Moiraine. We have her hiding from a Fade. I think this might have been in the trailer too.

Ishy looks good. And he disappears real fast. In TAR or was he using something spoilery there that only he at this point has access to?

We have Egwene in an underground chamber doing some weaves. Is she being watched by Liandrin or is that a deceptive cut to Liandrin there?

Brief look at the Darkfriend social. "No one should have that much power."

Nynaeve looking at Alanna, I think. This was in the teaser photos that were released yesterday. Working in the kitchens. Since Alanna maybe doesn't know anything about Rand at this point (maybe...) then she might be being nosy about Nynaeve specifically.

Ishy doing some channeling (air?). And we get a more full introduction to probably-Lanfear coming out of her blood pool vibes.

Seanchan attacking a poor village via the damane. Might be when Perrin & co encounter them?

13. A door being opened up. A vault/secured door of some kind? Ah, it looks like it's the entrance to the Testing chamber and this is probably when Nynaeve is doing her Accepted testing.

14. Perrin riding down a mountain -- this was in the teaser trailer. But he looks good!

15. "Together we face the impossible. But now we're in our separate corners of the world." Rand protectively cuddles Lanfear, likely going by the name Selene. Looks like he's still in more rough traveling clothes at this point and not in his fancy clothes yet. VERY INTRIGUED by Selene wearing blue and not white. Deliberately linking her to Moiraine?

16. Rand walks down a hallway.

17. Lightning lights up a city and Lan rides on a horse in the dark. "Protecting Rand, guiding him, that is the only thing that matters!" Moiraine says to Lan, and we cut to Siuan in her fancy clothes saying, "You can't control him." Talking to Moiraine?

18. Rand wakes up maybe? Already using the Power (fire?). Is this the same scene where he pushes Moiraine up against a wall? Guessing it's after he's separated from 'Selene'.

19. Perrin looking a wolf. "You know you have something inside you." Sounds like they might do some paralleling with Perrin-wolfbrother and Rand-channeler.

20. Rand (air helping him?) pushes Moiraine up against a wall, looking kinda angry.

21. Egwene captured. You can see what a fight she put up. Her cheek is very bloody and her eyes are bloodshot too.

22. Nynaeve is in her shift, covered in blood. Part of the Accepted test?

23. Mat is staring at the dagger. Dagger is on a fancy table, Mat is still in his Two Rivers clothes. He feels the temptation. Is this part of what happens in his plotline with Liandrin? "Something that calls for blood." Yeah, they're connecting all the Emond's Field mains with this idea in the trailer.

24. "I want to know how to control it," Rand says, and we see the Power swirling around him (I don't see the taint -- is Lanfear channeling here?) as Lanfear stands behind him. He's just in a simple shirt, so I think it's earlier in the season.

25. Rand is talking to Logain here, which another sign that Rand is going to be in the White Tower, since that's where Logain is being kept prisoner. Both of them are wearing blue.

26. "The Last Battle's coming," Moiraine says, as we look at the Seanchan dominating a village and forcing them down. We can see Suroth up on a huge platform (mobile throne) and then we get a close-up to see that she's hanging with Ishy and her Voice. The Seanchan design that the show came up with is AMAZING. I've said it before and I'm sure that I'll say it again.

27. Turak opens the box holding the Horn of Valere (though we don't see the Horn yet) and says, "The whole world will be ours". Interestingly, he's not wearing the face mask but he definitely has the nails.

28. The Seanchan attack Egwene & Elayne via damane. I can't tell here if Egwene has been captured and that's what her look of defiance is about or if she's still fighting back at this point. It looks like a burst of power comes from here, so this could be her fighting back.

29. There's an explosion but it looks like this is a Nynaeve scene -- she's back to wearing Two Rivers clothes so I'm guessing this is part of her Testing. Yeah, the style of the building looks like it matches the Two Rivers.

30. Whitecloaks riding horses fades to Liandrin (in the White Tower) looks at... is that the place they melt old & reforge new Aes Sedai rings?

31. Perrin plays with a little girl. Maybe a cute moment before the Seanchan arrive?

32. Siuaraine kiss! Both of them wearing blue. Reunion in the White Tower (when she brings Rand?) or a flashback? Siuan looks very casual here.

33. Egwene hugs Nynaeve. It looks like Egwene is already dressed in her novice whites while Nynaeve is still wearing Two Rivers clothes.

34. More of Nynaeve's Accepted Testing.

35. "If our friends are in trouble why would I ever stay here." Egwene is talking to Elayne, who looks a bit dusty and thoughtful.

36. Moiraine strides out of a doorway. We get the "no conception of the power they wield", which was in the teaser. Brief shot of Lan on his horse, then we hear him say, "You can't do this by yourself."

27. Aviendha veiling up and fighting some Whitecloaks! Perrin is there. Guessing this is when he/we first meet her.

28. "There are many paths to walk through the night," Moiraine says. I think that's a shot of Liandrin (maybe going to meet Fain?).

29. "It's not always the most powerful who write history," we hear over a shot of shirtless Rand.

30. Nynaeve comes back through the Testing Doorway, covered in blood.

31. Perrin killing a Whitecloak with white hair.

32. Egwene screaming in the damane collar.

33. Rand bound to the wheel in the desert (almost certainly TAR).

34. "It's the ones who survive". And we see here that this is Liandrin speaking.

35. Rand in a plaza in Falme! Fancy clothes partially hidden under a cloak, sword on his back. Looks like this is his confrontation with Turak. We hear him say, "I'm tried of being a spoke in the wheel."

36. We get a pull-out shot of him in the desert on the wheel and it looks like he has an audience, someone in front of him. Maybe Ishy? It pulls away much too fast for me to see.

37. Rand runs someone through with a sword of fire, it looks like? Mat stabs someone (still in his Two Rivers clothes). Is that a regular spear that he's using? There's an explosion -- in Falme? Or in Cairhien?

38. "You're not a spoke, boy," Siuan says to Rand (!). Are they in Tar Valon or did Siuan come to Cairhien? I am not certain from the trailer. There are certain things that indicate they go to Tar Valon but nothing definitive, I think? So it could be that Siuan comes to Cairhien. Because that earlier Siuaraine scene could be when she's dropping off Egwene & Nynaeve or it could be a flashback. "You are the water that turns the Wheel itself."

Wow that was a lot! Okay, I'm going to see what other people think now.

[bberry005]

FINISHED THE YOUNG ROYALS SEASON THREE EPISODES THAT ARE OUT and BOY do i have THOUGHTS (really spoilery so they're below the cut)

the emotional beats are much more focused and they really lean into the emotions that make the characters who they are

the social class difference storyline is also done really well and doesn't come across as a shallow obstacle for wilhelm and simon to "get over". it's an everchanging, constant thing

justice for felice she's really taking so many punches this season omg

wilhelm defender until i die because he's literally 16 (and just turned 17 as of the end of the season!) but my dude we have got to work on your communication skills

also a simon defender until i die because he just wants to do what's best for wilhelm but also for HIMSELF which makes so much sense and i love it

the way simon thought he kept misstepping with wilhelm but wilhelm really wasn't telling him the whole story is such a constant for this show and i thought they were going to try and resolve it but i guess not! there's still episode 6 i suppose

i am obviously an august hater. he's done terrible things and should have to face higher legal and familial consequences than he has. however when he talked to the therapist and it got pointed out that at his core, august regrets what he did and all he can do is keep moving forward and try to be better even if no one forgives him, it made sense. and that's the best part. all the choices the writers made for august this season made sense. i don't think wilhelm or simon is ever going to forgive him and they shouldn't have to, but the fact they made august dimensional instead of a one size fits all villain was really interesting.

i was waiting for wilhelm to finally just scream at his parents because he's been repressing that for too long. his relationship with his parents is so complex and they did a good job showing us a window into that this season

building off the family stuff, show that erik also had the capacity to do great harm was such a good choice. the viewer percieves erik through wilhelm's eyes, and throwing us for that loop was a good narrative choice

simon and sara's story was perfect. i loved it

i saw the breakup coming from a mile away. i'm holding out for the happy ending because i can't have watched this show from the beginning only for their to be no happy ending but i think a bittersweet ending is the most likely option at this point

okay that's it for now but don't be shocked if i post a ton of young royals stuff this week this show is insane and this season is the best one yet and i want to talk about it SO MUCH.

[the-rewatch-rewind]

Yes, I've watched this full miniseries 37 times.

Script below the break

Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be talking about number two on my list: BBC and A&E’s 1995 mini-series Pride and Prejudice, directed by Simon Langton, written by Andrew Davies, based on the novel by Jane Austen, and starring Jennifer Ehle and Colin Firth.

Mr. and Mrs. Bennet (Benjamin Whitrow and Alison Steadman) have five daughters: beautiful and kind Jane (Susannah Harker), witty and strong-willed Elizabeth (Jennifer Ehle), homely and puritanical Mary (Lucy Briers), well-meaning but naïve Kitty (Polly Maberly), and frivolous and spoiled Lydia (Julia Sawalha). Because there are no Bennet sons, Mr. Bennet’s estate is entailed upon his cousin Mr. Collins (David Bamber), and the daughters are aware that at least one of them must marry well to provide for the rest of the family after their father’s death. When wealthy and friendly Mr. Bingley (Crispin Bonham-Carter) moves into the neighborhood, he and Jane quickly hit it off, and the Bennets’ problems seem to be over. However, Mr. Bingley’s sisters, Caroline (Anna Chancellor) and Louisa (Lucy Robinson), along with his unpleasant, proud friend Mr. Darcy (Colin Firth) have strong objections to the Bennet family, who strike them as undignified gold-diggers, even though Mr. Darcy unwillingly finds himself strangely drawn to Elizabeth.

Okay so yes, this is technically a TV show rather than a movie, but even though it’s over five hours long, I still tend to watch it as a movie, and it felt right to count it as such, although when I first wrote it down in my movie notebook, I never anticipated that it would become my second most-frequently-rewatched. I remember that my parents were really into it, and at some point when it was on TV after we finally got a VCR, they had taped it. I tried to watch it with them a few times when I was younger, but I found the flowery language difficult to understand, and I typically fell asleep in the middle without knowing what was going on. The first time I watched it and actually paid attention was in 2005, and the main thing I remember was that my dad assumed I knew the story by then and kept making spoilery comments. I don’t think I fully appreciated it at that point, but I definitely enjoyed it more than I thought I was going to. I ended up watching it twice in that year and then five times in 2006, which is when it became one of my favorite stories. I read the book and watched a few other adaptations that year. In 2007 I only watched this series once, but that was also the year that my family ended up getting two male puppies, and after much deliberation about what to name them, we determined that Bingley and Darcy were the best names that went together and represented something we all enjoyed. After that, I watched it three times in 2008, once in 2009, twice in 2010, four times in 2011, twice in 2012, twice in 2013, four times in 2014, once in 2015, once in 2016, twice in 2017, once in 2018, three times in 2020, once in 2021, and twice in 2022. I don’t remember exactly when, but somehow between my siblings, my parents, and I, we ended up with three copies of this on DVD in addition to the taped one. I should also mention that I only counted it when I watched the whole thing from start to finish within a few days, so I’ve watched it like that 37 times, but I’ve definitely seen pieces of it way more than that. I keep waiting to get tired of watching it, but every time I put it on, it remains delightfully enjoyable.

I know that Pride and Prejudice by Jane Austen is one of the most beloved stories in the English-speaking world, and probably beyond – although the number of people confused by my dogs’ names taught me that not everyone is particularly familiar with it – and that it has been adapted and retold dozens of times, and that fans of the story have very strong opinions about which is the “best” adaptation. The loudest debate is between this version and the 2005 film directed by Joe Wright and starring Keira Knightley and Matthew Macfadyen. The first time I watched that version was in 2006, in the midst of my mania for the 1995 version, and I thought it was terrible. I knew it had to be shorter for the feature film format, but they cut out so many of my favorite parts! It wasn’t until I rewatched the 2005 version in 2016 that I understood that the people who prefer that version love this story for very different reasons from me. If you’re mostly invested in the Elizabeth/Darcy romance, that’s the version for you. It’s all about the tension and chemistry between those two characters, and everyone else is kind of stuck in as an afterthought. But even though the Bennet daughters’ need to get married is central to the plot, I had never considered the main appeal of this story to be its romance. To 2023 me and you the listener, who know that I’m aromantic, that isn’t very surprising, but at the time it kind of blew my mind to learn that so many fans of the story are there for that slow burn. Even in 2012 to 2013, when The Lizzie Bennet Diaries was coming out, I figured the reason people were so obsessed with Darcy was because not seeing him until episode 60 added to his mystique. At the end of that show, I was way more concerned about Lydia’s story than Lizzie’s, and while I enjoyed seeing Lizzie and Darcy finally get together, it was more of a “yay, things are happy now” relief than squeeing over the adorable romance. Anyway, while I used to be one of those obnoxiously pretentious fans who maintained that the 1995 adaptation was way better than the 2005 one, now I’m more of the opinion that they’re both good, just different, and just because I prefer one over the other doesn’t actually make it better. So if you’re listening to this and are a huge fan of the 2005 version, or any other adaptation, know that I’m not trying to tell you you’re wrong. Ultimately, Pride and Prejudice is a great story with many layers, and I think it’s awesome that there have been so many different versions that emphasize different aspects.

Despite the fact that this version is quite long (although not nearly as long as the Lizzie Bennet Diaries), I personally love the pacing. The events of the story take place over about a year, and these six 55-minute episodes take their time bringing us through that year with the characters. Watching it now, I don’t understand how I ever fell asleep with it on as a child, because I am thoroughly engaged the whole way through. Sometimes I intend to only watch an episode or two at a time, but I end up sitting through the whole thing because I cannot tear myself away. These characters are just so fascinating, and the cast brings them to life so convincingly. In general, I try to separate actors from characters, but I will always associate this cast with this show. Part of that is because of how many times I’ve watched this, and another part is because most of these actors haven’t been in very many American films – with the major exception, of course, of Colin Firth, whose Hollywood career skyrocketed after the success of this series – so I haven’t seen them in many other things. But the main reason is because they all embody their characters so perfectly in this series that it’s hard to see them as actors. Every cast member fully committed to their character in a way that somehow makes them feel simultaneously larger than life and grounded in reality. Alison Steadman’s Mrs. Bennet in particular is over the top and ridiculous but manages to just barely remain believable. While the five Bennet sisters on the surface can be summarized by archetypes, they’re much deeper than they first appear, and I love the ways that both the writing and the performances gradually bring that out. Crispin Bonham-Carter perfectly embodies the puppy-dog friendliness and gullibility of Bingley, and Colin Firth nails Darcy’s transformation after Elizabeth calls him out. Benjamin Whitrow makes Mr. Bennet so likable that it took me a while to understand that part of the family’s plight is his fault. That kind of complexity is one of the major things that makes this movie so rewatchable. There are so many layers to every storyline and every character that you can’t possibly uncover them all in just a few views. There’s also a lot going on in the background – like, Mary doesn’t get very many lines, but I love watching her light up whenever Mr. Collins is around. The show is edited in such a way that the audience can see what every relevant character is thinking at all times, so that even when it’s difficult to understand the fancy dialogue, we still get what’s happening based on the characters’ reactions.

This adaptation receives a lot of praise for its faithfulness to the novel, but while it does follow the book quite closely, I don’t think it gets enough credit for the changes and additions it made that were still in the spirit of the original story. There is some dialogue that was taken word for word from the book, but Jane Austen tended to summarize conversations rather than transcribing them, so quite a bit of new dialogue needed to be added, and I personally find it difficult to tell where Jane Austen ends and Andrew Davies takes over. Austen didn’t write scenes that only featured male characters, claiming that she had no way of knowing how men spoke or behaved when there were no women present, but this show opens with a scene between Bingley and Darcy and focuses a bit more on their friendship than the book does. The change in this version that gets the most attention is when Darcy unexpectedly happens upon Elizabeth after having taken a swim in a lake on his property at Pemberley. I always just saw this as a silly way to add to the awkwardness of the situation, with Darcy trying to remain dignified in soaking, casual clothes, and it surprised me to learn that a lot of people love that scene because Colin Firth apparently looks very sexy in his wet shirt. The change that I personally find most interesting is in the letter that Darcy writes explaining himself to Elizabeth after she turns down his first proposal. In the book, he starts with the allegations about breaking up Jane and Bingley and then moves on to the more serious stuff about how Wickham (played by Adrian Lukis, who told Elizabeth that Darcy ruined his life) had tried to seduce Darcy’s younger sister. In this version, the letter starts with the Wickham stuff and ends with the Bingley stuff because we’re initially watching Darcy and flashbacks of his memories, and then halfway through revealing the letter to the audience, we see Darcy give it to Elizabeth, and then we see her reactions to reading his thoughts about her sister and the rest of her family, along with flashbacks of her memories. Darcy is rather arrogant when he talks about separating Bingley from Jane, so I feel like it makes a little more sense for him to start with that when he’s upset by Elizabeth’s rejection and then move on to the darker Wickham drama, but I really like the way this version shows their reactions to the part of the letter that’s most painful to each of them. And before he writes the letter, we see Darcy dwelling on Elizabeth’s words, and he reacts to what she said about Wickham by saying aloud to himself, “At least in that I may defend myself,” implying that the Wickham story is what prompted him to write the letter in the first place, explaining why he starts with that this time. So it’s true to the original without being constrained by the original, and I think that’s what makes it work so well as an adaptation.

As I said before, many people think of Pride and Prejudice as primarily a romantic story, and like, they’re not wrong, but there’s so much more to it than that. There’s a lot of focus on familial relationships, especially between the two eldest daughters, Jane and Elizabeth, which I’ve always appreciated for its similarities to my relationship with my sister. It’s also worth noting that in this society, women in the Bennets’ station could not get a job, so they basically had two options: marry well, or depend on a male relative. Marriage was essentially a business arrangement, not necessarily a romantic one. In the first episode, Jane and Elizabeth have a conversation about their situation in which Elizabeth says that because Jane is the prettiest and sweetest of the sisters, she will need to be the one to marry very well, and Jane responds with, “But Lizzy, I would wish… I should so much like… to marry for love.” And then she makes this amazing face like she can hardly believe how unreasonable she’s being. Elizabeth assures her, “And so you shall, I’m sure. Only take care you fall in love with a man of good fortune.” But when Jane asks Elizabeth how she feels about marriage, she asserts, “I am determined that nothing but the very deepest love will induce me into matrimony. So, I shall end an old maid and teach your ten children to embroider cushions and play their instruments very ill!” And they laugh. But Elizabeth is completely serious, at least about the first part, as she demonstrates when she turns down two very lucrative marriage proposals that most sensible women in her position would have eagerly accepted. Both men – Mr. Collins and Mr. Darcy – think they are doing her a great favor in offering their hand and are shocked by her refusal. Mr. Collins is a bit of a doofus, but he is also going to inherit her father’s house, and it would therefore be the honorable thing for him to marry one of the Bennet daughters so they could at least continue to live there after Mr. Bennet’s death. But Elizabeth knew he would make her miserable and was unwilling to put up with him merely for security. One could say she slapped amatonormativity in the face, and we love to see it. But interestingly, when Mr. Collins does get married, it’s to the very aro-coded Charlotte Lucas (played by Lucy Scott). Her good friend Elizabeth is utterly shocked that anyone, let alone someone she cares about, would agree to marry Mr. Collins. But Charlotte literally tells Lizzy, “I’m not romantic, you know. I never was.” Aromantic queen. And when Elizabeth vents to Jane about this, Jane has the great line, “You do not make allowances for differences of situation and temper.” Jane is the ally we all need. Later, when Elizabeth visits the Collinses, Charlotte makes it clear that she kind of just does her own thing and barely sees her husband, and Elizabeth feels bad for her friend, but honestly, Charlotte’s life doesn’t sound so bad to me. She has security, and her husband mostly leaves her alone. Things didn’t get much better for an introverted aroace woman in that society. Although part of me does still wish that Mary had ended up with Collins, since she also seems like an introvert on the aroace spectrum, but she actually likes him.

Elizabeth is the opposite of aroace, but the way she refuses to listen when society tells her she’s supposed to marry for money feels kind of similar to modern aroace people refusing to listen when society tells us we’re supposed to fall in romantic, sexual love. One of the things I appreciate most about this story is how it demonstrates that everyone and every relationship is different. Jane and Bingley immediately fall for each other and are perfectly compatible, but because they place so much trust in the people around them, it takes a while for them to officially get together. And I don’t just mean the way Bingley’s sisters and Darcy pulled him away – Elizabeth kept reassuring Jane that it was obvious how she felt about Bingley because it was obvious to her, and neither of them realized that a stranger would just see Jane’s kindness to Bingley as treating him like she treats everyone else. Elizabeth and Darcy are just as well suited for each other as Jane and Bingley are, but they both have some major growing to do – they need to overcome their pride and prejudice, if you will – before they can be together. And then there’s Lydia and Wickham, whose relationship is based mainly on lust. Neither of them seems to have learned anything between the beginning and end of their story, and it’s hard to imagine them being happy together. I used to think of Lydia as a spoiled brat who got what she deserved, but now I feel really bad for her. She was a 15-year-old child who was preyed upon by a grown man, and the best-case scenario was for her to marry him. Her plight demonstrates just how awful the societal rules regarding sex were for women, although the story barely seems aware of it. Her elopement is used as a plot device for Darcy to redeem himself, and the focus is all on how her sisters’ chances of good marriages have been damaged. It’s kind of odd that so many social norms are condemned in this story, and yet Lydia is portrayed as deserving of life-long punishment for daring to break one rule. Jane Austen was progressive, but not that progressive. So that’s the one part of this that bothers me. If you too want justice for Lydia, I highly recommend The Lizzie Bennet Diaries on YouTube, which does an excellent job of humanizing and redeeming her.

Anyway, back to this version, I love that it includes another couple that many adaptations leave out – Mr. and Mrs. Hurst. Mrs. Hurst is Mr. Bingley’s sister Louisa, who, along with their sister Caroline, loves to make fun of and criticize the Bennets. Caroline is partly motivated in her criticism by jealousy, since she has her eye on Darcy and can tell that he’s interested in Elizabeth. But Louisa seems to be motivated by pure snobbery. Which is kind of hilarious because her husband is basically a loser. He doesn’t seem to have an estate or anything, since they’re always staying with her brother, and all he does is drink, hunt, play cards, and sleep. It’s just like, girl, you have no room to criticize anyone’s situation or decisions when you’re stuck with that guy. This just further helps demonstrate that nobody fits society’s ideal, so maybe we should all just live and let live. The characters who remain proud and prejudiced at the end of the story are mostly bitter and unhappy, while those who have learned to look at things from other people’s perspectives are the happiest. And I really like that message.

And aside from the fascinating social commentary, this series is a delightfully fun watch, full of great moments that I will never tire of revisiting. I love, or at least am intrigued by, all the characters, from the leads to the most obscure side characters. She’s barely in it, but one of my favorites is Mrs. Bennet’s sister, Mrs. Phillips, played by Lynn Farleigh. Between her interactions with Mr. Collins, who accidentally insults her and then frustrates her as a whist partner, and the way she consoles Mrs. Bennet after Lydia runs off with Wickham, her lines are some of my favorites to quote. And of course, there’s Lady Catherine de Bourgh, Mr. Collins’s benefactor and Mr. Darcy’s aunt, played by Barbara Leigh-Hunt, who is so impressed with herself that she can’t tell that she’s almost as ridiculous as Mrs. Bennet. I love Sir William Lucas’s “Capital, capital!” and Maria Lucas’s commitment to making haste. Even the characters I don’t like as people are interesting to watch. Wickham is the worst, but I’m almost impressed by his gall. Like, the fact that he can face the Bennets after seducing Lydia as if he’s done nothing wrong is astounding. That man truly has no shame.

While I enjoy pretty much every moment of this series, I have to say that my favorite episode is the fifth one. It really doesn’t seem like it should be, since that’s when the whole Wickham/Lydia stuff is going on and everybody is super stressed, but it has so many of my favorite moments. Like when Elizabeth is playing the pianoforte at Pemberley and a random servant feels the need to stand right in front of her, bow to no one in particular, and then walk offscreen. I don’t know who that bowing servant is or why he does that but I love him. And then there’s the part when Elizabeth returns home with her aunt and uncle, and her cousins are so excited to see their parents again that one of them tries to do a cartwheel and ends up just falling over. And in another wonderful deviation from the novel, Mr. Collins decides to visit the Bennets, ostensibly to console them, but really to gloat that their problems aren’t his problems because he didn’t marry one of them. In the book, he does this by writing a letter, but it’s way funnier to have him visit them, and get to see Mary be impressed with him again. But the best part of that scene is that when Kitty sees his carriage coming, she declares, “I’m not going to sit with him for anyone!” and runs off to hide in the yard. Later, when he’s talking to the other sisters, we can see Kitty peering through the window to see if he’s still there, and it makes me laugh every time.

This show is so good that I would still love watching and quoting it anyway, but I do think my enjoyment has been at least somewhat enhanced by having dogs named after two of the characters. The names really suited them, too – dog Darcy was standoffish toward strangers, but with the people he liked he could be very cuddly, whereas Bingley would pretty much follow anyone around to see what they were up to. Bingley absolutely loved to play fetch, while Darcy would just stare at him like, “What is wrong with you?” in the perfect dog version of how their namesakes felt about dancing. Sadly, Darcy got cancer and died in 2020. Bingley is still hanging in there, although at 16 years old he’s definitely declining, and his fetching days are long behind him. There are a lot of differences between me and Jane Bennet, as she is clearly not aroace, but since we share the same first name and are both the eldest sibling, I’ve always felt a kinship to her, and it makes me happy that presumably we each got to watch our own Mr. Bingley grow old. I think after he inevitably passes, watching this series will probably feel bittersweet for a while, although I don’t think that will make me love it any less. I anticipate continuing to watch it at least once a year on the 26th of November, in honor of the Netherfield Ball, while fondly reminiscing about fetching with Bingley and snuggling with Darcy.

I could go on and on about this movie for hours, but ultimately, what it all boils down to is I love the 1995 Pride and Prejudice because it is an excellent story told extraordinarily well, about characters who are exactly as ridiculous and flawed as real people. So if you’ve thought about watching this version but have been turned off by the length, I highly recommend giving it a chance anyway. Yes it’s almost six hours long, but it’s a thoroughly enjoyable way to spend almost six hours. I was suffering from depression when I first got into this series, and it was one of the few things that made me feel good about life. And if I had not already been in love with this version, I probably wouldn’t have watched The Lizzie Bennet Diaries, and therefore might never have gotten into Shipwrecked Comedy, and that would be very sad. So I have a lot to thank this miniseries for.

Thank you for listening to me discuss another of my most frequently rewatched movies. It’s a little hard for even me to believe that I’ve rewatched Pride and Prejudice more than any other movie besides one in the last 20 years, but I think it really is my second favorite movie, so it’s fitting that it ended up here. Now I only have one movie left, and it’s number one by a lot, with 51 views compared to P&P’s 37. So stay tuned for what is clearly my favorite film. And now, for the last time, as always, I will leave you with a quote from that next movie: “My, she was yare.”

[misslisamiray]

Took a little longer than I thought to get this chapter posted, but here's Chapter 11 of Down With the Rickness!

Time to check back in with Summer and Space Beth, and for the first time since she got sent to work before the sun came up, Earth Beth! Jerry is still too busy sulking to be in this chapter. We'll see him again later, but it's going to be a while.

Please note: this chapter features some spoilery dialogue about the events of S7 ep. 7, "Wet Kuat Amortican Summer" I debated on putting that part in due to the fact I know not everyone's seen the latest season, and this fic otherwise has no S7 spoilers. But I needed something for Summer and Space Beth to talk about other than Rick's stupid errand list, and that is where their conversation led. If you want to skip that part, scroll to the picture and you're safe. Any other S7 references in the fic will be of the vague, non-spoiler, blink and you'll miss 'em variety. New chapter below the cut!

Summer and Space Beth’s next several errands were far less eventful than the first few. Having both made a considerable dent in their lists, they decided to take a break and meet for lunch. The two were sitting in a booth inside a small café on an asteroid at the edge of the solar system.

“Thanks again for helping out today, Space Mom. We’ve already got, like at least half of Grandpa’s stupid list done.” Summer said, taking a sip of her milkshake.

“No problem. Barring any further worker uprisings at greedy megastores or having to negotiate with more of Dad’s asshole “friends” until they see reason, we’re on track to be home tonight. Tomorrow morning at the latest.” Space Beth replied, sipping her wine.

“Cool. Morty texted me something about Grandpa being crazy and Dad being an idiot, but eh, what else is new? It doesn’t sound like anything’s on fire, at least not literally. They’re fine. It’s been a while since we got to hang out like this, huh?” Summer glanced at her phone briefly before putting it back in her pocket. Beth nodded in agreement.

“I got one from Jerry asking me, ‘If the Sailor Scouts were real, do you think they would be able to cure Glopydropian Mimicking Disease?’ With the follow-up question, ‘Is there a dimension where they are real?’ Oh, God. He sent that to me individually, and to our group chat with your Earth mom. I… How am I supposed to answer… What the fuck am I even supposed to do with that?!” Space Beth said, slapping her forehead as she put her own phone away. Summer giggled. A waiter placed two plates on their table.

After taking a few bites of her food, Summer asked, “So, what’s new with you?”

“Oh, you know. Took down a New Federation base last week. Freed some wrongly imprisoned inmates from a maximum-security prison on Jupiter. The usual.” Space Beth replied casually.

“Cool. I, ummm… got an A on my science test. And me and some friends almost got caught smoking weed under the bleachers, but then we didn’t. God, school is so boring compared to your life.” Summer replied. She sounded excited at first, but her enthusiasm quickly faded.

“Hey, that stuff counts, too. I realize it probably sounds sarcastic and condescending coming from me, but look at it this way. You’re 17 and have already seen and done more than everyone else in your lameass school put together likely will in their entire lives. It’s okay to be happy about the more mundane parts of your life, too.” Space Beth told her.

“Huh. I never thought about it that way. Thanks, Mom.”  Summer’s smile returned, and she went back to eating.

After a moment, Space Beth said, “So you’re really gonna hold out on me and not tell me the biggest thing?”

“What do you mean?” Summer asked.

“Oh, nothing. Just that I heard you met someone.” Summer’s face turned red, and she dropped her silverware to the floor.

“I’m gonna kill him! Why did I ever think Grandpa Rick could keep a fucking secret?!” Summer exclaimed, covering her face with her hands.

Space Beth laughed and said, “Calm down. I’m normally the last person to defend anything Dad does, but he only blabbed to me because he’s happy for you and wanted to tell someone. He figured you’d want to tell Earth Me and Jerry yourself when you’re ready, and that Morty would be jealous over you getting a girlfriend before he did. So that left me.”

“Oh.” was all Summer could manage as an answer. She was still blushing a little, but no longer furious.

“Morty already knows, or at least suspects. And I was planning to tell you all soon. It’s just…”

“You weren’t worried about telling us you’re dating a girl, were you?” Space Beth asked hesitantly, half joking but half genuinely concerned that was the issue.

“As if anyone in this family only swings one way. I mean, mayyybe Morty, but eh, jury’s still out on that.” Summer scoffed, rolling her eyes. Beth visibly relaxed and nodded in agreement, while Summer continued, “It’s still a really new relationship is all. And yeah, I’ve hooked up with people off-planet before, but I’ve never actually been, like, involved with anyone who doesn’t live on Earth. Before now, I’d never even dated someone who went to a different school. We don’t see each other as much as we’d like to, and it’s hard sometimes, y’know?” As she spoke, Summer went from grinning ear to ear to looking sad.

Space Beth placed a hand over hers and said softly, “Yeah, I get it. Look, I’m not exactly the hands-on mothering type, but if you ever need someone to talk to… Someone who might understand better than your other parental units… But who can also keep their damn mouth shut better than your grandfather…”

“Thanks, Mom. I’ll keep that in mind.”

“God, I’m going soft. First helping Dad, and now this Lifetime original movie mother daughter bonding mush. What next? You and Morty are both too old to need, like cookies baked for some dumb school thing, right? That’s not a thing in high school, is it? Because if you do, that shit is strictly Jerry’s department.”

Laughing again and glad for having the moment lightened, Summer agreed, “Totes. And don’t worry, I won’t tell anyone about your soft side. I can keep a secret better than Grandpa, too.”

“Good.”

“So, he told you because he’s happy for me? You sure he wasn’t just bored and trying to gossip?”

“Mmmm-hmmm. But I do think he was proud of you and looking to brag a little, too. Apparently, you met this girl when you saved her from being trafficked by illegal Kuato dealers?” Summer just nodded.

“Damn, you really were holding out on me. So spill. I’m not gonna pester you with questions like ‘When do I get to meet her?’ – trust me, that will also be Jerry's department like, the second he finds out – but I want all the details on this, got it?”

“Sure. It all started with this party…”

Meanwhile, Morty had quickly discovered that Rick wasn’t lying or even exaggerating about not sleeping well when he was sick. One minute, he’d be sound asleep, snoring loudly. The next, he’d wake himself up coughing or sneezing. Sometimes, he’d just blow his nose and mutter a complaint or two, then change positions and go back to sleep. Other times, he’d be awake for a while, drinking and watching whatever boring thing had come on the TV next.

“Fuck, isn’t this shit over yet?” was a frequent question, asked in a whinier tone of voice each time.

“*SIGH!* Not yet, Rick. Try and go back to sleep.” Morty would tell him, usually while looking at something on his phone and looking increasingly concerned by it.

Beth was having an ordinary, and honestly slow day at the horse hospital. Having some downtime between patients, she decided to check her phone, and discovered a number of texts from her family.

Summer: Pictures of some of the nonsense she’d had to get for Rick. A lot of it was gadgets and parts that Beth couldn’t identify, and a few that she could. Crystals of many different colors, sizes and shapes. The rest looked to be a variety of alien junk food and liquor.

“Yep, nothing surprising here.” Beth murmured to herself.

Space Beth: Mostly photos similar to Summer’s. Then there was one of her making some friend of Rick’s – Beth had met him briefly before – was his name Gear Man? – pose for the camera with her. There was a frightened look on his face, and a huge grin on SB’s.

“I’m sure there’s a story behind this picture. What I’m not sure is if I want to know what it is.” Beth sighed.

Rick: Several paragraphs worth of random letters, symbols and emojis. A few blurry photos of the living room ceiling and floor.

“Are these drunk texts or ‘Dad fell asleep on his phone’ texts? I’m guessing the latter, since his drunk texts usually have at least a few actual words. Unless this is in an alien language, and these are words?” Beth puzzled, looking at the messages from a few different angles, including upside down. Determining that Rick’s texts were gibberish, she moved onto Jerry. There were so many messages from Jerry.

“I have a great idea, and you’re going to be so proud of me!”

“Let’s never fight while we’re trying to organize old VHS tapes again.”

“Beth, Morty’s being mean to me!”

“Do you know if Morgluxian measles are real? What about Venutian varicella or Floopfloopian ass fever? Your father won’t tell me which one he made up.”

“You know how I said I had a great idea earlier? Yeah, forget you ever saw that.”

And of course, there were the bizarre Sailor Moon questions. Beth couldn’t help noticing most of the messages had been sent both to her individually, and to their group chat with Space Beth. Not knowing how to respond to any of her family’s texts, Beth was about to put her phone away, when she saw the one text from Morty.

It read, “Hey Mom, since you’re sort of a doctor, I figured you were the best person to ask. Can someone actually cough up a lung? That’s just a saying, right? Rick’s got a nasty cough and I’ve seen him spit out some gnarly looking stuff a few times, but I don’t think any of it was like, an organ. I just wanted to check.” Beth’s brow furrowed.

“Aww, poor Dad. Maybe I should go home.” she worried, deciding to call Morty back instead of replying to the text.

Morty was staring at a screen that read, in increasingly ominous looking letters, “Is it a cold, The Flu, or SOMETHING WORSE?” when his phone rang. Startled by the unexpected noise, he dropped the device – directly on Rick’s head, which of course woke him up.

“Oww! What the *COUGH!* fuck, Morty?! What was that for?!” he asked groggily.

“Sorry! Sorry. That was an accident. Hang on a second.” Morty apologized, scrambling to grab his phone, which was now slipping between the couch cushions. Rick sat up, rubbing his forehead and throwing the blankets and his labcoat on the floor again.

“Hello?”

“Hi, Morty. I saw your text, and yes that’s just an expression. Human anatomy doesn’t work that way. Well, for most people, at least. I guess for your grandfather it might be possible? But unlike the average person, he’d also be able to put it right back in. So I wouldn’t worry. Much. How’s he doing, anyway?” Morty looked over at Rick, who was clinging to his trash can and tissue box again, while staring blankly in the general direction of the TV without really looking at it.

“Not great. You want to talk to him?”

“Yes, please.”

“Here. Mom wants to talk to you.”

“Huh? Oh, sure.” Rick was initially confused by what Morty was saying, but grabbed the phone once his sleep and germ-addled brain caught up to what was happening.

“Hi, Dad. How are you feeling?” Beth asked worriedly.

“Eh, I’ve been better. But I’ve also been a lot *COUGH!* *COUGH!* worse. I’m okay, Beth. It’s just uhhh, been a long time since I last had Mimicking Disease. Turns out it hits harder when you’re a little older.” Rick said, forcing a laugh and trying to make himself sound normal. Morty picked up on that immediately.

“Dad, drop the act. I talked to Space Beth, so I know that it is at least two kinds of impossible for you to have Glopydropian Mimicking Disease.” Beth told him, her voice quickly going from concerned to annoyed and impatient.

“Shit. I forgot that.” Rick admitted.

“Uh-huh. I also know that you just have a cold, which is normally not something worth worrying about. But my son texted me because he’s concerned you might actually cough up one of your lungs. And frankly, you sound like you could. So without any further bullshitting, how are you, really? Do you need me to come home?” Rick winced at how badly he was failing at convincing Beth he was alright.

He finished off the contents of his flask for the second time that day, then, putting even more effort into trying to sound normal, said, “No, Beth. I sent you off to work at the asscrack of dawn specifically because I didn’t want you around to worry over this nuisance virus and get yourself sick trying to take care of me. It’s not necessary.” He forced back a sneeze – fuck, that hurt.

“I guess, but what Morty said…”

“Beth, come on. You know the kid’s a worrywart. You’ve spent 99% of your life on Earth – you’ve had colds before. You feel like shit, but there’s nothing that wrong with you, then you’re fine. *SNIFF!* I know you know this.”

“*SIGH!* You do have a point. But please take it easy. Lots of rest and fluids. And do we even have any medicine for this sort of thing?"

“Um, no. Morty checked and we don’t.” Rick lied quickly.

“Well, I doubt you included anything that practical on the massive list you threw at Summer, so I’ll get you something on my way home. You sure you’re okay until then?”

“Yes, sweetie. I’m *COUGH!* fine. Or going to be, at least. Here. Talk, talk to Morty again.” Rick said, tossing Morty’s phone back to him. He sneezed twice in a row and started coughing immediately after.

“Morty, keep an eye on your grandfather, okay? I’m sure he’s going to be alright, but just do that until I get home.” Beth instructed, listening to the sound of Rick’s harsh coughing in the background.

“Yeah, that’s the plan, Mom.”

“I do think he probably sounds worse off than he really is, so I’m not rushing home right now. But it’s slow today, and I have been here since the asscrack of dawn. So I should be able to leave a few hours early. Okay, honey?”

“Yeah, I can handle things til then. Thanks, Mom.”

Beth was about to say something else, when an alarm went off at St. Equis.

“Now what?” she sighed.

The doors burst open, and a man in blue scrubs charged in yelling, “We’ve got 10 patients incoming! We need all hands on deck!”

“10?! What the fuck happened?” Beth asked incredulously.

Before the other doctor could answer, a man in an old-fashioned circus ringmaster costume ran in, wailing, “Who would have thought that Horses On Ice: The Musical could end in disaster like this?! That is, besides all those protesters and the actors who walked out so I had to replace them with people I found at the bus station.”

Beth glared at him, then turned back to the other doctor and asked, “Do you mind if I?...”

“Go for it. The only reason I didn’t is because I knew you’d go harder.” he replied, grabbing up supplies from behind a counter.

Beth promptly slapped the ringmaster across the face, then without missing a beat, told Morty, “Sorry, looks like I’ll be home late. Take care of Rick, and if you get a chance, try to help your dad with whatever the hell he keeps texting me about. Or maybe just hide his phone. Love you!” “Right. Love you, too. Good luck with your horse crisis.” Morty sighed, shoving his phone back in his pocket. So much for having help soon.

[katieskarlette]

Reactions to spoilery cutscenes

Curiosity got the better of me, and I watched all the cutscenes that WoWhead posted from 11.0.

Spoilers and rambling below.

[Disclaimer: These are just my poorly-organized thoughts after watching cutscenes online without much context. Take them with a grain of salt.]

First, the prematurely-gray elephant in the room: Khadgar. I really enjoyed him as a character and I will miss him. Was it a fitting sendoff for such a huge lore figure? Not in my opinion. It was basically copying Rhonin's death (although at least this was in game and not in a novel). And Atiesh got broken, too. As a mage main, that made me cringe, and the destruction of my home city didn't feel good, either. The visual effects of it blowing up in a void explosion were impressive, at least.

Moving on... From what I've seen, I like what they're doing with Moira and her son, and their dynamic with Magni. Talk about a redemption arc, going from the Worst Father of the Year to doting grand'da. Aww. I'm not sorry to see the diamond shell go away. It was stingy of Azeroth not to give him any armor to keep, though. Harumph.

As for the new short folk...I love their blue gryphons, but otherwise they're not my cup o' tea, aesthetically, and I feel like the mechanical motif should stay with the gnomes and mechagnomes. Also, dwarves without Scottish accents seem so wrong. I know that's a ridiculous thing to say because why the hell did that get to be a thing anyway, but it's what we're used to. (Incidentally, exposure to WoW dwarves helped me do a killer Scottish accent when I want to. My best friend does a great Irish accent, so sometimes we'll greet each other in our respective fake accents. Maybe you have to be there, but it amuses us.)

ANYWAY...

Warcraft has always had a vaguely cartoony style. In the last several years the quality of the character models has improved noticeably. I feel like Blizzard is struggling to find a happy medium wherein it still has that signature Warcraft vibe while taking advantage of the improved graphics. Which is a long winded way to say that I find Anduin's detailed eyelashes and the M.C. Escheresque intricacies of Alleria's hair distracting. Anduin's facial structure, stubble, and the under layer of his hair look somewhat realistic, but the top layer of his hair and his vividly blue eyes look like they're from a different universe.

Speaking of Alleria, I don't understand the need to completely redesign her character. Funky winged eyeliner and an asymmetric cape, a totally different color palette, her hair all over the place...it's like she's a completely different character. Sure, a real person can have a major makeover and that's totally fine, but when you're dealing with a fictional character who has a distinct "look" to them, you should have a very, very good reason to throw away the familiarity/recognition you've already established. I felt a little bit that way when Jaina got her makeover for BFA, but since she's by far the most prominent human woman in the franchise it was easier to adjust. We have how many rail-thin high/blood/void elven women now? A lot. They could have done some cool, subtle things with slowly changing her Legion-era outfit to be more void-themed over time, but I suppose that would require extra modeling work that would deprive the playerbase of a raid tier...

I have no idea who Aelric Leid is, but I'd know Jim Pirri's voice anywhere. I'm glad he's still around the franchise after Nathanos was sent off to live happily ever after in a quiet corner of Ardenweald with his true love after she rescued him from the maw and you can pry that headcanon from my cold, not-undead hands killed off.

So we have a Wrynn not climbing about the fleeing ship with his allies but instead jumping down to fight the thing trying to destroy said ship, even knowing it will probably lead to his death. GEE, WHERE HAVE I SEEN THAT BEFORE?! Okay, I have to admit that did give me some feels. There's a fine line between poignant, thematically significant callbacks and gratuitously echoing past imagery while screaming, "Look! It's the thing! You remember the thing, right? Here it is again! Isn't that cool?" I'm looking at you, tons of Arthas parallels they pushed on Anduin in BFA and Shadowlands. Ahem. So yeah, I see what you did there, Blizzard, and I don't hate it. Let me conjure you a mana cookie.

Ansurek looked SO much cooler before her void power-up. She looks creepy af with all those red eyes and the stuff on her head, yet she's got a normal human mouth and a cutesy nose. WTF? Come on, let the creepy spider queen be monstrous! Trust me, people will still want to fuck her. Source: I've been on the internet.

"With our renewed strength, our kingdom shall be reborn." Zzzzzzz... Huh? Wha'? Oh. I'm sorry, I could have sworn I've heard this schtick about 874 times already.

Is Alleria really stupid enough to think she can kill (the equivalent of?) an Old God with an arrow? There's no way a shapeshifting being of the void could possibly put up an illusion or teleport away at the last second! /facepalm (Although soon after she was able to gut-punch Xal'atath to make her back up, so maybe it wasn't such a dumb strategy... I dunno. I'm just judging a bunch of short cutscenes out of context.)

A Windrunner sister gripping her bow so tightly we hear the leather squeak. Never seen that before, either.

I do like Xal'atath so far. She's got the sultry voice of Azshara, the (over)confidence of Lich King Arthas, and the creepy wrongness of her Old God pals. Voice aside, she's not as sexualized as a lot of her predecessors in the franchise, which is a relief. (I love Azshara to bits but she must have used massive amounts of double-sided tape and/or powerful magic to keep her boobs in that dress back in her pre-naga days.)

So yeah. I watched the in-game cinematics. There was some good, some bad, and some stuff I like to clown on but wasn't actually that awful. I can't say that it made me reconsider my decision not to play the expansion, but I'm glad I know a little bit more about what's going on.

Now, since they so rudely destroyed Dalaran, I'll have to picture my mage curling up in the library in Stormwind Keep, instead. Because that's what I imagine she does when I'm not playing the game. ;)